Grace Potter’s debut solo album will be available on Friday August 14th.
Pre-order U.S. http://tinyurl.com/pze799s
FULL TRACK LISTING
- Pure And Easy (from Who Came First)
- Sheraton Gibson (from Who Came First)
- Let’s See Action (Nothing Is Everything) (from Who Came First)
- My Baby Gives It Away (from Rough Mix)
- A Heart To Hang On To (from Rough Mix)
- Keep Me Turning (from Rough Mix)
- Let My Love Open The Door (from Empty Glass)
- Rough Boys (from Empty Glass)
- The Sea Refuses No River (from All The Best Cowboys Have Chinese Eyes)
- Face Dances (Pt. 2) (from All The Best Cowboys Have Chinese Eyes)
- White City Fighting (from White City)
- Face The Face (from White City)
- I Won’t Run Anymore (from The Iron Man)
- English Boy (from Psychoderelict)
- You Came Back (from Scoop)
- Guantanamo (New song)*
- How Can I Help You (New song)*
Pete Townshend on “Guantanamo”: “I thought this song might never see the light of day, but now President Obama has relaxed sanctions in Cuba, it is a happy sign he might go further. Technically this was created in rather a laborious way. I recorded a long organ drone using my vintage Yamaha E70 organ (used many times by me on Who and solo recordings in the past), and then cut it into something that sounded like a song using a feature unique to Digital Performer called ‘chunks.’ This creates blocks of groups of tracks that can be assembled and disassembled easily, like cutting multitrack analogue tape with a razor blade, but with less blood. The lyric grew out of the implicit angry frustration in the organ tracks.”
Townshend again, “‘How Can I Help You’ was inspired partly by the frustrating emotional difficulties experienced by a valued colleague. He was in great physical pain and it drove him into depression. I performed an acoustic version of the song on my partnerRachel Fuller’s webcast show ‘In the Attic.’ I began this recording with an acoustic guitar, added drum loops and breaks then Gretsch and Rickenbacker 12-string guitars and John Entwistle’s hybrid Thunderbird-Fender Precision bass.”
I was driving home from work this afternoon, stopped in the third lane on I-95 due to traffic problems. I happened to look across the jersey barrier to the northbound side and glimpse this 53′ tractor trailer truck with a way cool multi-color design stating that it was Les Paul‘s 100 Birthday.
When I got home I looked it up on the Internet. I discovered that Les Paul’s Big Sound Tour was bound for the Hard Rock Cafe Foxwoods in Ledyard Connecticut. It will be on exhibit there June 17th and 18th.
Les Paul the father of modern music and the solid body electric guitar would have been 100 years old June 9, 2015. A special 100th Anniversary Celebration was held on June 9th at the Times Square Hard Rock Cafe in New York City. Rolling Stone Magazine covered this historic event.
The Les Paul Foundation is sharing his creativity, innovative spirit and love of sound in an intriguing mobile exhibit.
• Step into 1,000 square feet of entertaining and inspiring interactive experiences.
• Explore sound, music and technology innovations.
• Mix and share music.
• Discover Les Paul’s personal story.
• Experience Les Paul’s never-ending search for a unique musical sound.
• Learn from generations of musicians who call Les Paul their mentor.
• Witness how Les pushed the limits of audio technology.
• Marvel at the performing techniques that made Les Paul a legendary pop music icon.
• Enjoy live musical performances by local artists.
Take a look at the Les Paul Tour Calendar to see if this mobile tour is coming to a city near you this summer.
Country Music Hall of Fame, Nashville, Tennessee
March 27, 2015 – December 31, 2016
Dylan, Cash, and the Nashville Cats: A New Music City, presented by Citi highlights Dylan’s relationship with Cash. The two cemented their friendship at the 1964 Newport Folk Festival and were reunited in Nashville, in February 1969. Dylan had recorded most of Nashville Skyline when he went into the studio with Cash. They cut more than a dozen duets in two days. One, “Girl from the North Country,” appeared on Nashville Skyline, and Cash wrote Grammy-winning liner notes for the album.
A companion book to the exhibit Dylan, Cash, and the Nashville Cats: A New Music City looks at the Nashville music scene in the late 1960s and early 1970s, a time of great cultural vitality for Music City. This publication matches the Dylan, Cash and the Nashville Cats: A New Music City exhibit at the Country Music Hall of Fame.
One of my regrets even with all the live music shows I have attended in the tri-state area (425 concerts in 46 years) was never getting to a live show at the Bottom Line. This famous club was located at 15 West 4th Street in Greenwich Village. It was owned by Allan Pepper and Stanley Snadowsky, the Bottom Line opened February 12, 1974 and enjoyed a 30-year run.
The Bottom Line would broadcast live shows in conjunction with top NYC progressive rock radio station, WNEW-FM 102.7. A historic milestone in the club’s history was The Bruce Springsteen and the E Street Bands 10 night “Born To Run” engagement in August, 1975. I recall listening to the raw excitement of those sold out shows on the radio that evening.
Thankfully to Allan Peppers credit and ingenuity I can cancel that regret because we have the Bottom Line Archive. The treasure trove of live recordings that Alan Pepper is housing is mountainous, over 1,000 live recordings.
I am very interested in the Harry Chapin recording, HARRY CHAPIN: LIVE AT THE BOTTOM LINE (JANUARY 8-10, 1981) 35th Anniversary Expanded Re-master. The release includes the original set, as released in 1998, PLUS an extra offer a previously unreleased 88-minute show.
I preordered this recording on Amazon which is due to drop on June 30th.
We spent several magic moments in concert and discussion with Harry Chapin in the day. Looking forward to hearing Harry live in concert once again.
Marking his 2000thperformance (January 8-10, 1981) this release provides a unique snapshot of an artist at the peak of his career – intimate and intense.
I think I will be buying more Bottom Line Archive recordings in the future.
When someone like Bob Dylan says he’s “One of the wizards of modern music,” pay attention. And if you’re a blues aficionado, you need to pay special attention because the Reverend is one of the kings of Piedmont Blues. Ian Zack was very thorough in this well-researched tome, interviewing former students, fans and scrutinizing public records, to put together the bittersweet story of a blind man who grew up the son of poor Southern sharecroppers, then moved to North Carolina where he made his living as a street performer, and finally to New York, where he gained notoriety in the folk boom of the fifties and sixties. Players like Bob Weir (Grateful Dead), Stefan Grossman and Ry Cooder consider him a mentor. (There’s even a great story about a shy young guitarist who couldn’t bring himself to play for him. The player? Eric Clapton.) Years after his death, he continues to inspire musicians and fans, even if they don’t realize it. His “Cocaine Blues,” made famous by several including Jackson Browne, is known to many. Still, he’s not in the Rock and Roll Hall of Fame (even though they feature BB King and Buddy Guy) and when Rolling Stone published a list of the top one hundred guitarists, Davis was not included.
This should be required reading for anyone interested in the blues and especially for guitar players. – Courtesy of SingOut Magazine – http://singout.org/2015/02/24/ian-zack-say-no-to-the-devil-the-life-and-musical-genius-of-reverend-gary-davis/
John McLaughlin and the 4th Dimension will be releasing a new album, Black Light this September, 2015.
I have explored ways in music and recorded them with happiness. ‘Black Light’ has opened a portal that is neither Jazz nor Rock, nor Indian nor Blues, and yet all of these: it’s an open door. – John McLaughlin
Black Light includes 8 original John McLaughlin compositions, including a heartfelt homage to his departed colleague, collaborator, and friend Paco De Lucia with whom John McLaughlin had intended to compose an album’s worth of new material just before De Lucia’s untimely passing. McLaughlin has returned to acoustic guitar for a tribute to his friend, entitled “El Hombre Que Sabia” and brings forth from the instrument a depth of sadness and admiration beyond words.
Otherwise electric, Black Light features the 4th Dimension – “my three favorite musicians,” in McLaughlin’s word – in full flight, with their empathy and precision honed on stage and in the studio. The 4th Dimension is composed of the remarkable multi-instrumentalist Gary Husband on keyboards and drums, Etienne Mbappe’s nimble, effervescent electric bass, and the powerhouse drumming of Ranjit Barot.
Following the international release of Black Light, McLaughlin and the 4th Dimension will set out on a world tour, continuing to explore and elaborate upon the album’s genre-defying material.
Thankfully we have university publishing houses who support and publish important, relevant books about music. One such university publisher is the University of Texas Press. They have an American Music Series which features a half-dozen titles to date.
The book in that series I want to bring to your attention is Los Lobos, Dream In Blue by Chris Morris. This is the first major book dedicated to the eclectic spirit of Los Lobos. A useful cultural history that is sure to please fans and musicologists alike.
Music journalist Chris Morris draws on new interviews with Los Lobos members and their principal collaborators, as well as his own reporting since the early 1980s, to recount the evolution of Los Lobos’s music. He describes the creation of every album, lingering over highlights such as How Will the Wolf Survive?, La Pistola y El Corazon, and Kiko, while following the band’s trajectory from playing Mexican folk music at weddings and dances in East L.A. to international stardom and major-label success, as well as their independent work in the new millennium.
From the East Los Angeles barrio to international stardom, Los Lobos traces the musical evolution of a platinum-selling, Grammy Award–winning band that has ranged through virtually the entire breadth of American vernacular music, from traditional Mexican folk songs to roots rock and punk.
This book is not published yet. It is due to be released in September 2015. Pre-orders can be placed at UT Press at a 33% discount .
The first book review is available on Kirkus. I am stoked and looking forward to getting my copy and learning all I can about the rich history of Los Lobos.
Thank you Chris Morris for authoring this invaluable music book about Los Lobos. The story that must be experienced.