Jefferson Airplane/Jefferson Starship/Starship

The trajectory of Jefferson Airplane has produced a very solid flight path across three+ decades of rock and roll.

Legacy Recordings has reissued a double CD, The Essential Jefferson Airplane, Jefferson Starship, Starship, which covers the hits and popular tracks from these various bands from 1966 to 1989

It’s a nice music collection to have handy if you are a fan of any permeation of this group. You get a real sense of the (r)evolution of their sound as they kept current with the times, the fashions etc.

I find myself growing fond of this track from Jefferson Starship’s Spitfire

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Edward The Mad Shirt Grinder – The Beautiful Articulation of Nicky Hopkins

Cover of "Beck-Ola"

Cover of Beck-Ola

Jeff Beck Group HandbillNicky Hopkins is without question rock’s greatest session musician. His signature contributions are still felt strongly today, 18 years after his passing. I continue being blown away by the breadth and depth of Nicky Hopkins piano contributions to rock.history

My first encounter with Nicky Hopkins’s musicianship was with The Jeff Beck Group and Beck-Ola. I saw Nicky Hopkins play with The Jeff Beck Group at the Fillmore East on July 3, 1969. He is depicted performing with The Jeff Beck Group on the cover of this definitive book by Julian Dawson.

Nicky Hopkins got his recording start with Del Shannon. You can hear his piano virtuoso as a lad of 17 on the 1961 hit, “Runaway”.  His frail health (he suffered from Crohn’s disease) forced him into the life of a session musician, where he excelled.

Nicky Hopkins was known as the Sixth Stone. His body of work with the Rolling Stones is immeasurable, ranging from “Ruby Tuesday” to “Waiting On A Friend”.

Nicky moved to Mill Valley, California to improve his health and took up with such San Francisco bands as The Jefferson Airplane and Jerry Garcia Band. He was considered a full-partner in Quicksilver Messenger Service and his touch played a fundamental role in Shady Grove and Just For Love.

The musicians he worked with over the decades were very taken with him.

“It was such a thrill to work for him as well as have him work with me. Every time I hear Joe Cocker’s ‘You Are So Beautiful’ I want to cry before Joe’s even come in. People try to emulate that piano piece, but there’s only one person could have played that—Nicky Hopkins.”
Peter Frampton

He worked with all four of the Beatles when they went solo. I am especially fond of his song, “Edward (The Mad Shirt Grinder)” that he recorded with QMS and on his best solo album, The Tin Man Was A Dreamer George HarrisonMick TaylorKlaus Voormann and Hopkins’ fellow Rolling Stones sidemen Bobby Keys and Jim Price.)


 

Jefferson Starship – Count On Me

Earth (Jefferson Starship album)

Earth (Jefferson Starship album) (Photo credit: Wikipedia)

I happen to like the Jefferson Starship phase of Jefferson Airplane. I shuttled through their hits tonight and settled upon the song, “Count On Me” from Earth  (1978) to video post. Enjoy.

 

The Monterey Pop Festival 1967

Monterey International Pop Festival PosterIf time travel was an option, I would love to be transported back in time to The Monterey Pop Festival in 1967. When I look back on what Monterey Pop accomplished, the rich set of artists that performed, there was a magic that weekend that formed peace, love and the power of music for generations to come. It’s the music festival I would most want to attend and experience.

I would love to attend that festival at the age I was in 1967, close to 16. I would also like to experience the event fully with no understanding of the events as I know them now. What I mean is that I would love to witness each act unfold, be surprised by The Who and Jimi Hendrix, boogaloo to Otis Redding. I would just love to have been there from beginning to end.

Imagine meeting his Majesty Prince Jones as he walked amongst the crowd. Monterey Pop celebrated its 45th anniversary this past June.

Five years ago I wrote a blog post about the 40th anniversary of Monterey Pop It serves as a fitting testament to the event.

There are so many rock stars that are no longer with us who performed at Monterey Pop. For that reason alone revisiting the Monterey Pop Festival would be worth it.

Imagine seeing The Who go insane smashing their instruments amidst the smoke bombs and fireworks Keith Moon planted under his drum set. Or witnessing Jimi Hendrix set his guitar on fire. Hendrix was in top form that night as he one upped Peter Townshend of The Who.

There is a fantastic official Monterey Pop International Festival Web Site. I visit it often. I urge you to go hear Eric Burdon sing Monterey and watch the images, view the vast information available. Then go rent or own the rock documentary, Monterey Pop, directed by D. A. Pennebaker. That’s what I plan to watch later today. I own the deluxe video set (no surprise there folks…).

Cover of "Monterey Pop- Criterion Collect...

Cover via Amazon

If that’s not enough content for you, I wanted to point out that there is a new book available about Monterey Pop. Maybe Santa Claus will be good to me and put this under my Christmas tree, hint, hint ;)

A Perfect Haze, The Illustrated History of the Monterey International Pop Festival by Harvey Kubernik and Kenneth Kubernik ,Foreword by Lou Adler, Afterword by Michelle Phillips

I found this painting on the InterWeb by Grace Slick who appeared with Jefferson Airplane that weekend. She named it Monterey.

Monterey, a painting by Artist Grace Slick

1. Unknown (Drug Dealer)
2. Marty Balin (*JA singer)
3. Jorma Kaukonen
4. Janis Joplin
5. Ghandi
6. Jack Casady (*JA Bass)
7. Otis Redding
8. (Mama) Cass Elliot
q9. Pete Townshend
10. Groupie chick
11. Grace Slick
12. Roger Daltrey
*Jeffferson Airplane
13. Jerry Garcia
14. Alice and White Rabbit
15. David Crosby
16. Keith Moon
17. Neil Young
18. John Philips
19. Jimi Hendrix
20. Ravi Shankar
21. Wavy Gravy
22. Ben Fong Torres
23. Brian Jones
24. Spencer Dryden (*JA drums)

I leave you with this video clip of Janis Joplin with Big Brother & The Holding Company. This was THE  breakout moment for Janis and her band. Of all the performances that happened that weekend, this one is truly special. Enjoy.

Grace Slick – Poster Artist

One of my favorite live music introductions was Grace Slick awakening the Woodstock audience at 6:00 a.m. on Sunday August 17, 1969.

Today Grace Slick is an artist and a painter. This is her painting of Woodstock. I love her irreverent sensibilities.

Click <a href="http://www.areaarts.com/woodstock-by-grace-slick/">HERE</a> for more info

“at the time (1969). A concert with 1/2 a million people was unheard of. To be honest we were blissfully unprepared and unmercifully hammered by the weather. As the painting shows. The audience had to slog around in the mud. Young people adapt to that kind of a mess better than old farts.

Saying goodbye on the last of three days. The clump of musicians on the stage is appreciating the audience and visa versa. Everything except murder is happening in the crowd – as it would in any gathering of that size.

I have taken the liberty of inserting some individuals who could not have been there, but maybe there were in spirit – Abraham. Buddha. Mohamed. Jesus. Adam & Eve. Alice in Wonderland. The White Rabbit. My Daughter and Barack Obama.

For composition and space. I have simplified the stage gear and the sound towers. If it looks like a cartoon – it was.”

Grace Slick

Moonalice is a band that has given new life to the art of the rock music poster. They issue a rock music art poster for every one of their concerts. I got this poster of theirs at the Gathering of the Vibes Festival in 2009.

7/25/09 Moonalice poster by Alexandra Fischer

Moonalice has partnered with some of the best rock art poster artists. Take a stroll through their Moonalice Poster Web Site.

Grace Slick and Moonalice are partnering together. Legendary singer Grace Slick will team up with Moonalice for a ‘Visual Concert of Grace Slick’s Phantasmical, Whimsically Droll” on April 22 at George’s in San Rafael, CA. The exhibition will feature her newest painting, titled “Crossover,” along with a live performance from Moonalice.

Grace Slick recently designed this poster for Moonalice for their April Fools Day concert in Hartford, Ct. Classic Grace isn’t it ;)

4/1/12 Moonalice poster by Grace Slick

Jefferson Starship – Thu. March 15, 2012 – Ridgefield Playhouse, Ridgefield, Ct.

 

Rosemary bought us tickets to see the Jefferson Starship Paul Kantner 71st birthday gala at the Ridgefield Playhouse on Thursday March 15th, 2012. This secures our first concert for calendar year 2012.

Jefferson Starship today consists of Paul Kantner, David Freiberg, Slick Aguilar, Donny Baldwin, Chris Smith, and Cathy Richardson.

There will also be a tribute to the late Papa John Creach who we saw play with Hot Tuna in 1970 and 1971.

I have listened to Blows Against The Empire and Planet Earth Rock and Roll Orchestra the past few days.

Nona Hendryx is listed as a special guest star. You may remember her from Labelle who had the hit “Lady Marmalade“.

The concert listing also indicates there will be other guest stars appearing with Jefferson Starship that night. My personal wish is that it will include Marty Balin but I’m not confident he will be there.

Mimi Page is the opening act.

Jefferson Airplane – Crown of Creation

The first album I owned by Jefferson Airplane was Crown of Creation, their fourth album. I was a late bloomer to the album rock sound of JA. I was familiar with their hits “White Rabbit” and “Somebody To Love” from extensive AM and FM radio airplay in 1967. It took me longer to establish an immediacy with their album content.

I’ll never quite understand why I didn’t own Surrealistic Pillow first as it was their most accessible and known album.

I fully embraced Crown of Creation when it was released in September of 1968. I loved many of the songs on this album. I was working part-time in a grocery store in those days, so I had a little more “pocket-money” to spend on vinyl LPs. I remember picking it off the rack on the wall at the record store in downtown Norwalk that I haunted frequently. The cover with its fiery mushroom cloud called to me.

File:JA Crown-Of-Creation.jpg

My favorite track on Crown of Creation is “Lather“.  It was written about Spencer Dryden (drummer), Grace Slick‘s lover then turning 30. I love when the word, “Child” is whispered at the beginning of the song…

According to the Wikipedia article on Lather (The Song):

“But Lather still finds it a nice thing to do,
To lie about nude in the sand,
Drawing pictures of mountains that look like bumps,

And thrashing the air with his hands.”

This section of the lyrics actually refer to the occasion when bassist Jack Casady was arrested nude on a beach in Santa Cruz, California, while on drugs.

Capitol Theater in Portchester, NY Plans Triumphant 2012 Return, Part II

This blog post is about The Capitol Theater resurgence in Portchester, New York.

The San Francisco Scene on the East Coast

When I look back on the concerts I attended at The Capitol Theater I was thankful to see the psychedelic sounds of San Francisco were well represented.

Our first concert at The Capitol featured Santana and John Lee Hooker at the late show on Friday June 12, 1970. We bought the tickets late and got seated in the balcony. You had a great seat no matter where you sat as the vantage points were all conducive for the stage. John Lee Hooker opened for Santana. I am embarrassed to say that I wasn’t a patient concert goer like I am today. We were rude to the great bluesmen and kept shouting for Santana. I regret my actions that night and wish I treasured John Lee Hooker’s set more than I did. It turns out that was the only time I got to see him play.

When he came back out for an encore we groaned but let me tell you this, he schooled us that night. He did a rendition of “One Bourbon, One Scotch and One Beer” that included the boogie blues beat that enthralled me. He turned me around with that number and I was cheering for him when he left the stage. Little did I realize how much Carlos Santana respected John Lee Hooker until years later when they recorded The Healer together.

Santana ripped the roof off The Capitol that evening. I recall they were bathed in a warm red light most of the night. I owned the first album Santana and played it all the time on my hi-fi system. Their percussive sound formed a rhythmic beat that kept us dancing out of our seats.

I didn’t see Santana in concert again until 2002, 32 years later. I have seen them live 15 times since the first show in Portchester. They are my favorite band and I have every one of the Santana recordings in my music library. 42 years of music and still going strong, Viva Santana.

The next concert by a band from San Francisco was our first concert by The Grateful Dead on November 7, 1970. I was sitting in the balcony the night of the Santana show when the sound system started playing Workingman’s Dead. The announcer stated that The Grateful Dead would be playing a bunch of dates at The Capitol in November. I ran right downstairs to the lobby box office and purchased our tickets for the third row.

File:Gratefuldead-workingman.jpg

Seeing The Grateful Dead and the New Riders of the Purple Sage that close was a pretty awesome deal. NRPS featured Jerry Garcia on pedal steel guitar. Jerry played right in front of us and he was spectacular on pedal steel guitar. He loved playing that instrument. He smiled throughout the entire NRPS set. I was especially taken with the vocals by John “Marmaduke” Dawson on “Last Lonely Eagle”.

The Grateful Dead played from 9:00 pm until 4 am the next morning, which was an incredible feat. I loved the energy the band gave off and how cosmic it all felt. You could tell they loved playing The Capitol. I loved the people twirling in the lobby and how happy everyone was to be there. I am glad this show was taped and I can play it often to relive the experience.

The following week Jefferson Airplane pulled into town. We attended the late show on November 13, 1970 which featured Jefferson Airplane, Hot Tuna and E Pluribus Unum. I was excited to catch Jefferson Airplane with Grace Slick on vocals, along with Marty Balin. They were a powerful combination with Jorma and Jack playing behind them. The JA set was a classic music choice of their catalogue. Hot Tuna was a surprise that night and they also featured Papa John Creach on fiddle.

We would see Hot Tuna again January 20, 1971 on a cold winters night. They headlined for a bill that featured Big Brother and the Holding Company and John Hammond. The funniest part of that show was that there were so few people in The Capitol due to the snow storm that we were invited to stay for the second show, which we did. The guy behind us tried to get an encore from Hot Tuna but Jack Cassady just told him come to the second show, its free ;)

It’s A Beautiful Day – White Bird

This song was calling to me tonight. It’s A Beautiful Day and their most recognized song, “White Bird.” It was part of the San Francisco sound but not as recognized as music from Jefferson Airplane, The Grateful Dead, Santana or Quicksilver Messenger Service.