Storm Thorgerson Joins The Great Gig In The Sky

I was very saddened to learn that genius music graphic designer Storm Thorgerson had passed away. He joins that well deserved  Great Gig In The Sky.

We first met in our early teens. We would gather at Sheep’s Green, a spot by the river in Cambridge and Storm would always be there holding forth, making the most noise, bursting with ideas and enthusiasm. Nothing has ever really changed.

He has been a constant force in my life, both at work and in private, a shoulder to cry on and a great friend.

The artworks that he created for Pink Floyd from 1968 to the present day have been an inseparable part of our work.

I will miss him.

David Gilmour

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Pink Floyd 40th Anniversary, Unite to Darken the Moon

Wow has it been 40 years already since the release of Pink Floyd’s Dark Side of the Moon? I remember well March 17, 1973 when that recording debuted (US release date according to Capitol Records). The FM radio station I listened to out of New York City, WNEW-FM 102.7 leaned on it strongly. I bought my vinyl LP copy on  the Saturday afternoon it was released here in the States.  On the following day, Sunday the 18th of March 1973 I was fortunate to witness Pink Floyd’s Dark Side of the Moon 1973 Tour. They performed at The Palace in Waterbury, Ct. I wrote about that experience in the blog post hyper-linked below.

Pink Floyd In Concert 1973 – The Dark Side of the Moon Tour

Pink Floyd and EMI Music will mark the 40th Anniversary of the original UK release of The Dark Side of The Moon on 24 March 2013, as fans around the globe unite to turn a specially designed moon dark. Centred around a global playback of the album on PinkFloyd.com, each memory, thought and photo tweeted as fans rediscover the album will count towards the creation of a dark side of the moon.

Starting at 00:01am GMT on 24 March 2013, for the entire day fans all over the world will be able to share thoughts and comments via twitter using #DarkSide40 and witness the impact as the volume of messages combine to turn the moon dark.

DSOTM

Storm Thorgerson

When it comes to branding and logo there may not be a more discernible icon than the Pink Floyd, Dark Side of the Moon “Prism”.  (Well perhaps the Rolling Stones Lips might top it…) It was designed by Storm Thorgerson when he was with Hipignosis. I have been a major fan of Storm Thorgerson for decades.

I wish I could afford the deluxe edition of his collectible book, Taken By Storm, The Album Art of Storm Thorgerson by the high-end music book publishing house Genesis Publications.

Keep watching the Pink Floyd Web page, http://darkside40.pinkfloyd.com/ for the variants of the Dark Side of the Moon prism. Each day another square in the diagram gets filled in and I’ll see you on the dark side of the moon ;)

Natalie Maines – Mother

Natalie Maines stopped by The Howard Stern Show today. I was surprised and pleased to learn she is an official Howard Stern Celebrity Superfan :)

Natalie Maines@1NatalieMaines

If you don’t like Howard Stern then you shouldn’t follow me.

Natalie performed the song, “Mother” (Pink Floyd) live in the studio with Fred Norris playing guitar. I love the edge she creates for this progressive rock classic from The Wall.

Copyright 2013 howardstern.com

Mother will be available as a track on West of Memphis: Voices of Justice which I reported about yesterday.

Mother is also the name of the new rock solo album by Natalie Maines, produced by her friend and fellow musician, Ben HarperMother, the album will release on May 7, 2013, Mothers Day ;)

Here is the YouTube video of Natalie Maine performing “Mother” with Ben Harper and his band from last summer.

Pink Floyd In Concert 1973 – The Dark Side of the Moon Tour

Bootleg concert t-shirt logo, now sold as official Pink Floyd merchandise

One of the most historic concerts I have seen over the decades was the original Pink Floyd performing Dark Side of the Moon on tour. The date for that concert was March 18th, 1973. The venue was the Palace Theater in Waterbury, Connecticut.

Dark Side of the Moon was released on March 17, 1973. The album gathered momentum quickly but was not yet being played in its entirety on progressive FM radio stations. The song “Money” was an immediate hit and the crowd that night cheered loudly when it was performed.

We were fortunate to catch Pink Floyd before the updraft of chart success took them to the next level of fame in rock and roll. They were soon playing arenas and stadiums versus lesser sized concert halls like the Palace Theater where we saw them play (2,500+ seats) It was a mere two weeks later on April 1st, 1973 that Dark Side of the Moon reached No. 1 on  It then remained in the charts for 741 weeks from 1973 to 1988. It is estimated that 50 million copies have been sold. It is Pink Floyd’s most commercially successful album and one of the best-selling albums worldwide.

File:Dark Side of the Moon.png

I have several specific memories of that night. The first memory is that the event was over sold. We had real numbered seat balcony tickets but Koplik & Finkel who booked this event sold way too many tickets. We ended up sitting on the carpeted stairs in the balcony. It was a definite fire code violation situation. We did end up with a great line of sight to see the band.

File:MeddleCover.jpeg

My second memory was that they played my favorite Pink Floyd song, “Echoes” from Meddle. I love how that song builds to a crescendo force. They used a light display behind them that gave the impression of a darkened sun as it rose in the sky as they played. I always found “Echoes” powerful in its presentation. I became enraptured with the opus when I first saw Pink Floyd on the silver screen in Live at Pompeii.

My third memory was when they performed “Great Gig In the Sky“, the female singers stood in the opera boxes on the sides of the theater and spotlights reflected on their flowing white dresses. That section of the performance reverberates strongly in me even now, 39+ years later.

The Dark Side of the Moon Tour

Set List

  1. Encore:

I am thankful that I had the insight to buy tickets to this concert at the Nimbus Water Bed Shop in New Haven, they were a ticket outlet in those days. It was a historic event that my wife and I were able to witness live. :)

Opeth – Prog Rock

My first intention when I started this prog rock series was to stay the prescribed course by writing about progressive rock “sentimental favorites” such as Pink Floyd, Jethro Tull, Genesis, Yes, Asia, Emerson, Lake and Palmer etc. I soon surmised there are lots of articles already written about these bands. My prog rock goal shifted to music journalist(educator) to learn and share more about what has transpired in prog rock circles.

Opeth 2011

Today’s blog post is about a band from Sweden named Opeth and the prog rock  or heavy metal (depending upon your frame of reference) sub-genre known as progressive metal. Progressive metal is defined as a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music. Progressive rock pioneers such as King Crimson, Deep Purple and Rush  are acclaimed as progenitors of progressive metal.  (My thanks to the Prog Archives Website Progessive Metal Team)

HERITAGE - 2011

Staying linear with King Crimson, Steven Wilson and Opeth the intersection continues with Opeth’s 10th studio recording, Heritage which was mixed by Steven Wilson(who has played on as well as produced various Opeth recordings). I heard Heritage for the first time this morning . I was literally swept away by its warm tonality and lush heavy rock interludes.

A further point of intersection is initiated when Mikael Åkerfeldt collaborated with Steven Wilson to create Storm CorrosionStorm Corrosion’s sound can best be described as ambient, epic, enchanting, and orchestral.[1]

Storm Corrosion Gatefold Vinyl Sleeve

It was just announced that Opeth have been nominated in various categories at the inaugural Progressive Music Awards 2012 brought you by Prog Magazine.

Opeth nominated at inaugural Progressive Music Awards

Opeth are nominated in the following categories open to public voting.

Live Event Category: Opeth at Brixton Academy 2011 CLICK HERE TO VOTE
Album of the Year Category: Opeth – Heritage CLICK HERE TO VOTE

Mikael Åkerfeldt has also been nominated in the Guiding Light category which will chosen by a carefully selected council.

Why Pink Floyd? The Wall

Cover of "The Wall"

Cover of The Wall

Why Pink Floyd? week culminates with my thoughts and observations about The Wall.

The Late Night with Jimmy Fallon’s Why Pink Floyd? Week ends tonight in spectacular fashion with Pearl Jam doing “Mother” from The Wall.

I find The Wall to be the creative apex of Pink Floyd’s collective musical genius. It also happens to be the split in the nuclei for Pink Floyd. The Wall is very much Roger Water’s baby, as it is his story.

The stress and strain on the band members during The Wall’s recording sessions are well documented. I won’t take the time here to get into the dynamics that took place. When The Wall collapses into rubble and the dust clears we witness a very different Pink Floyd standing in our midst.

I have always felt it was unfortunate that Richard Wright was forced to resign from the group by Roger Waters. I love his signature keyboard sound. He created a rich fullness with his textures of layered sound. In my estimation he took the Hammond B3 organ to amazing new heights. Of all the members of Pink Floyd I witnessed at The Dark Side of the Moon concert in 1973, Richard Wright organ playing etched himself the firmest in the my memories.

Much has been written and analyzed about The Wall. Certainly The Wall has taken on a life of it’s own over time. I am constantly intrigued by the dimensional variations The Wall has given us over the decades since it went on stream in 1979.

First as a limited series of live concerts in 1980 that created a major stir because a cardboard wall was constructed in front of the band, walling them in and then, being torn down at the end.

Next The Wall was turned into a film directed by Alan Parker and was released in 1982. The Wall broke new barriers with multimedia, as recorded film footage with actors was interspersed with wild animations from Gerald Scarfe (which we first saw on the double album cover art and as part of the live show). I a liken Scarfe’s graphic art to Ralph Steadman’s manic art.

The Wall was later performed and filmed in Berlin as a celebration for the tearing down of the Berlin Wall. Roger Waters engaged producer Tony Hollingsworth to create The Wall – Live in Berlin, at a location once occupied by part of the Berlin Wall. It featured such guest stars as Rick DankoLevon Helm and Garth Hudson of The BandThe HootersVan Morrison,Sinéad O’ConnorCyndi LauperMarianne FaithfullScorpionsJoni MitchellPaul CarrackThomas Dolby and Bryan Adams, along with actors Albert FinneyJerry Hall,Tim Curry and Ute Lemper. This concert features my favorite collaborative edition of “Comfortably Numb” sung with a fierce passion by Van Morrison.

File:RWTheWall90.jpg

Roger Waters has been touring steadily with The Wall Live since 2010 . He brings The Wall Live to North America Stadiums (including Yankee Stadium) in the second quarter of 2012.

Roger Waters: The Wall Live

An effort was made to produce and bring The Wall to Broadway. The closest that came to realization was a two week off-Broadway production in Boston, Massachusetts in 1996.

The Why Pink Floyd? Immersion Box Set will become available on February 28, 2012. This will complete the Why Pink Floyd? product distribution campaign.

The Wall - Immersion Box Set

Why Pink Floyd? Wish You Were Here

Cover of "Wish You Were Here"

Cover of Wish You Were Here

Why Pink Floyd? week continues on Thursday with a look see at Pink Floyd’s follow up recording to Dark Side of the Moon. Wish You Were Here was released on September 12, 1975 (36 years ago). Richard Wright and David Gilmour have each declared Wish You Were Here their favorite Pink Floyd album.

Late Night with Jimmy Fallon honors Why Pink Floyd? week with country star Dierks Bentley playing the title track to Wish You Were Here.

I first heard Wish You Were Here at the WNEW-FM Christmas Concert at the Westchester Theater (The concert starred Renaissance, Janis Ian and The Stanky Brown Group). It was played extensively in between stage changes for Renaissance who was the headlining act. I was surprised to hear the enthusiastic crowd response to the music as it wafted through the concert hall. I developed an immediate connection with Welcome To The Machine” which to me has always signified our society’s interdependence upon technology. I am a 30+ year technology professional and “Welcome To The Machine” speaks to the engineer/designer I’ve become.

Wish You Were Here - Experience Version

Why Pink Floyd? Up through Dark Side of the Moon

Why Pink Floyd? week continues as well on the Music Of Our Heart Blog. Today’s post focuses on several aspects of Pink Floyd that help answer Why Pink Floyd? for me.

Why Pink Floyd week on Late Night with Jimmy Fallon features MGMT performing “Lucifer Sam” off The Piper at the Gates of Dawn.

1) My first lengthy encounter with the music of Pink Floyd was in the 1970  film Zabriskie Point by Italian director Michelangelo Antonioni. Pink Floyd’s music was the most memorable feature of this surrealistic movie. I made a special point of seeing this film based upon an article I read about Antonioni and Pink Floyd in Rolling Stone magazine. I came away from this movie with the visual nature of Pink Floyd firmly planted in my psyche.

File:1ZabriskiePoint.jpg

2) My next intervention with Pink Floyd was the album Meddle which I was introduced to again as a music backdrop at a fellow college student’s place. “Echoes” was the selection on Meddle that intrigues me with its evolving dynamics to this day.

3) My next visual experience was the 1972 film, Pink Floyd: Live at  Pompeii. This was a surround sound concert of Pink Floyd filmed without an audience on the floor of an amphitheatre in Pompeii. There were many interesting and novel cinematic techniques. You were taken to the heart of the sun by the director, film crew and Pink Floyd. I saw this in the movie house where the large screen amplified the sound and video experience.

Dark Side of the Moon

I was fortunate to see Pink Floyd with my fiance’ Rosemary in April 1973 at the Palace Theater in Waterbury. I purchased the $6.00 tickets to this concert at Rubber Match Waterbed in New Haven, a Ticketmaster ticket outlet (remember those…). The concert was oversold and we ended sitting on the stairs in balcony that night. I am very proud to say I  saw Pink Floyd perform Dark Side of the Moon on March 18th, 1973 the day after it hit the U.S. charts. As everyone knows Dark Side of the Moon spent 741 weeks (15 years) on the charts from 1973 to 1988. This ranks as one of my top three concerts of all time out of more than 400+ concerts I have attended in 42 years!

I purchased a copy the first week it was released in March of 1973 at Cutlers in New Haven. I actually got in trouble with the WNHU-FM station manager because I played it from beginning to end one day during our July 1973 début week. I had violated the playlist policy that was in force at the station at the time. (3 songs from the A list, 2 songs from the B list every hour…) Having seen Pink Floyd perform Dark Side of the Moon in its entirety four months earlier I just had to repeat that experience for my listening audience.

Why Pink Floyd? Product Day in North America

What an exciting week  for Pink Floyd fans and music collectors. The Why Pink Floyd?  EMI/Capitol sales and distribution campaign commences today for North America. All the studio albums are newly remastered including unreleased music from the archives & collectors’ box sets.

Late Night with Jimmy Fallon is celebrating Why Pink Floyd? all week. Tonight’s show features Roger Waters and The Foo Fighters as his backing band performing, “in the Flesh” from The Wall.

The first phase of  newly remastered Pink Floyd recordings includes:

  1. 14 Remastered ‘Discovery Edition’ Studio Albums on CD and digital download.
  2. A Discovery Box Set featuring all 14 remastered studio albums.
  3. The Dark Side Of The Moon – Immersion, Experience, Discovery & Vinyl Editions.
Tomorrow I will share my reflections about how I got into Pink Floyd in 1970,  the films Zabriskie Point and Pink Floyd: Live At Pompeii (1972), Meddle (1972) and Dark Side of the Moon.

Why Pink Floyd? Week on Late Night with Jimmy Fallon

Late Night with Jimmy Fallon

Image via Wikipedia

Every night this week the Late Night with Jimmy Fallon show will be celebrating the Why Pink Floyd? campaign of 2011 remasters and collectors’ editions.

Expect to see The Shins and  Nick Mason tonight.

Tuesday night musical guests will be Foo Fighters and Roger Waters.

Wednesday evening features MGMT.

Thursday’s show stars Dierks Bentley.

Friday will showcase Pearl Jam.

Today the pig was floated above Battersea Power Station in L0ndon much to the delight of commuters and fans all over the planet.