Tag Archives: Spotify

Daniel Ek, CEO at Spotify – Leading disruption to forge the music ecosystem

Daniel Ek’s knowing smile graces the cover of Forbes Magazine, January 16th issue. At 28 years of age he is the most important man in music now. He is CEO and co-founder of Spotify, the Web music ecosystem. Spotify is radically altering how we interact with music in the cloud. It’s a disruption whose time is a necessity. Spotify is the salvation for the music industry against Internet music piracy.

Daniel Ek On The Cover Of Forbes

I couldn’t be happier with Spotify’s achievements on our behalf. I have sung the praises of Spotify ever since their Web music service hit our shores. I am proud to say I became a day one US Spotify premium member on July 14, 2011 :)

Spotify continues to amaze me as it becomes the intersection of music and technology in the Web. It is a prime example of a well executed Web 3.0 Semantic application. I am especially keen on how Spotify the music platform interacts with the aggregate sum total of music intelligence that is the echo nest. Spotify Radio is the vehicle that leverages the direct  API interaction with the echo nest API of 30 million songs (5 billion data points.) Now that’s what I call a music cloud ;)

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SpotOn Radio, You’ll Want To Be Listening ;)

I just discovered SpotOn Radio from reading Spotify’s Blog. Pandora Internet Radio you’re on notice more than ever now, trust me. ;)

SpotOn Radio is an innovative Apple iPhone music app. SpotOn Radio is developed and supported by the dynamic duo known as Springworks and Rebel&Bird.

SpotON Radio is free, but you need a Spotify Premium membership to use it. I just so happens I have a Spotify Premium account. :)

SpotOn Radio provides personalized radio stations which springboard off Spotify’s streaming technology. It seamlessly integrates an online music service(Spotify) with the Echo Nest’s song recommendation and discovery engine.

What’s awesome about SpotOn Radio is that it adds value and dimension to my Spotify social music experience.  I recently cancelled my Pandora One account. I had  a twinge of regret breaking away from the music genome experience Pandora has patented.

My anxiety turned out to be a momentary concern. The Echo Nest Music API engine with 30 million songs in its database (and growing) gives SpotOn Radio a superior advantage over Pandora Internet Radio. 

The song by Chicago comes to mind here, “Only the beginning, only just the start….”

Keep your eyes and ears on SpotOn Radio and Echo Nest. The Semantic Web, Web 3.0 is in full-scale music interaction now. I think that’s so cool :)

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Bruce Springsteen’s New Album Wrecking Ball

Can you feel the energy coming from Bruce Springsteen with a renewed vengeance this morning?

The first song from Bruce Springsteen’s new album, Wrecking Ball was released this a.m. on amazon.com*, “We Take Care of Our Own.” I picked it up from the Amazon Cloud. (Its also available for direct play on Spotify too ;)

Here is the video of “We Take Care of Our Own” with lyrics.

Said longtime manager Jon Landau in a press release posted at brucespringsteen.net, “Bruce has dug down as deep as he can to come up with this vision of modern life. The lyrics tell a story you can’t hear anywhere else and the music is his most innovative in recent years. The writing is some of the best of his career and both veteran fans and those who are new to Bruce will find much to love on ‘Wrecking Ball.’ “

Wrecking Ball (Special Edition)

There will be a special edition of Wrecking Ball available on March 6th. It has two bonus tracks and exclusive artwork and photography.

Track listing:

  1. We Take Care of Our Own
  2. Easy Money
  3. Shackled and Drawn
  4. Jack of All Trades
  5. Death to My Hometown
  6. This Depression
  7. Wrecking Ball
  8. You’ve Got It
  9. Rocky Ground
  10. Land of Hope and Dreams
  11. We Are Alive
  12. Swallowed Up
  13. American Land

Expect information about the Bruce Springsteen North America tour dates to take place soon. We’re eager to see Bruce and the E. Street Band again.

Rosemary and I attended the last show at Giants Meadowlands Stadium in New Jersey by Bruce Springsteen and the E. Street band in 2009 . The ones before the Wrecking Ball. As a matter of fact we saw two shows that week, show #2 and show #5 that week.

Here is Wrecking Ball from the first night we attended (Friday October 2, 200), brings me to tears to see him give Clarence a kiss and start the show, so miss Clarence….

* and digitally elsewhere ;)

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Spotify Apps

Spotify continues to lead and innovate the music-streaming experience. I am very impressed by Spotify’s Phase II strategy.

Daniel Ek, Spotify CEO states, “We’ve arrived at a crucial moment when we have both scale and momentum, and we’re getting people used to the idea again that music is worth paying for.”

The next phase of Spotify is Spotify Apps. App Finder is a dashboard that lets us lean back and sift through results of music trends in the form of rich playlists. Prominent music publications, services and blogs like Rolling Stone Magazine, Billboard, Last.fm, and Pitchfork supply interpretive analytic data to us in digestible, usable form.

 

I especially like how nimble the HTML 5 Apps are for my use. They are definitely designed with future interactions in mind. Spotify understands the intelligence and sophistication of its hard-core subscribers. Spotify is acting as the conduit to further the relationship between rich music information sources and the ever attentive listening public.

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SuperHeavy

I was leafing through the September 29th issue of Rolling Stone Magazine yesterday when I happened upon the article, “Meet SuperHeavy, Mick Jagger’s Wild New Crew” by Neil Strauss. I was invigorated by what I discovered about Dave Stewart’s vision realized.

SuperHeavy is a collaboration starring (Left to Right) Damian “Gong” MarleyDave Stewart (Co-Producer), Mick Jagger, A. R. Rahman (He scored the smash film Slumdog Millionaire) and Joss Stone.

Frank W. Ockenfels

I gave the CD SuperHeavy an extended listen on Spotify this morning. I love what I heard and felt. The melting pot of rhythms, ideas, cultures, and raw energy works cohesively. The 18 months these artists have spent working on this recording is a testament to their belief in each other and the music they are turning out.

Give SuperHeavy a view and listen to the entire recording on Spotify. You’ll be grooving in your chair and elsewhere.

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Facebook Music Launches with Spotify! Yessssssssssssssssssss

Today, September the 22nd, is a big day for everyone who loves music.

I second that emotion with the music of our heart! Media share away :)

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Sarah McLachlan

I continue with this week’s impromptu theme, female singer/songwriter’s of note.  Today’s music blog post features Sarah McLachlan.

I know very little about Sarah McLachlan’s catalog of songs. This post is the perfect opportunity to explore the breadth and depth of her music.

I learned Sarah McLachlan’s discography represents 22 years of official recordings. I am overwhelmed where to begin when confronted with such an extensive body of work.

The Internet provides a rich avenue of information about Sarah McLachlan’s music. Wikipedia is a great starting point as is Sarah’s official Web site. I also turn to Spotify, iTunes and amazon to get a better sense of what Sarah McLachlan recordings people are buying. There are two aspects measured that help me tune in to her music, 1) Bestselling, and 2) Top Rated, which don’t always correlate, providing a dichotomy for a budding listener like myself.

Based upon this data I begin my quest with Sarah McLachlan’s discography with Surfacing (1997).

Surfacing

Wish me well ;)

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Laura Nyro – A Magical Voice

Copyright of the Authorized Laura Nyro Web Site

The artistic magic of singer/songwriter Laura Nyro has called me lately.

I listened with reverence to Laura’s music today on Spotify. I found myself drifting back to the  innocent time of  1968-1970  a midst the rich collection of Top-40 radio hits from such artists as the 5th Dimension (“Stoned Soul Picnic” and “Sweet Blindness”), Three Dog Night (“Eli’s Coming”), and Blood, Sweat and Tears (“And When I Die”).

These classic hits were my first exposure to the songwriting genius of Laura Nyro.

I became a greater fan of Laura Nyro’s music through WNEW-FM radio airplay as the disk jockey’s on that station took her to their heart and shared her soulful sound and lyrics with us. I recall that WNEW-FM carried her Christmas concert live from the stage of the Fillmore East and I listened intently to her performance. That was the closest I ever got to attending a Laura Nyro concert.

I played Eli and the Thirteenth Confession  and New York Tendaberry on my phonograph player until the needle fell off ;)

Those albums represent an interesting and special time in my life.

Eli and the Thirteenth Confession

Image via Wikipedia

As I put myself back in touch with Laura Nyro I discover that she lived in Connecticut in Danbury, not too far from where we were living in Norwalk, Ct. I am glad the country setting of Connecticut proved to be a salvation for Laura during her last years.

I read with keen interest and a sense of personal excitement that a documentary about the life of Laura Nyro is being filmed by Earthwork Films. The co-producers are Mario Florio and Patty DiLauria. To learn more about the status of this wonderful film read here: http://www.lauranyro.com/film.htm

December’s Boudoir 

It is to be an exploration and celebration of the musical genius of Laura Nyro.

image - about us

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Spotify, Why I will be kicking Zune to the curb

File:Spotify logo.pngI didn’t expect for the following sentiment to take place today, but as you will read, I had an “aha moment” with music software. I browsed over to Spotify‘s Web site this morning to learn more about their music cloud service which just reached our shores yesterday after a two-year wait.

I was skeptical about the Spotify offering as my first perspective was oh not another Web music service in a very crowded field of offerings too many to list, discern or mention. I must admit I was quite uplifted by what I discovered and interpreted about Spotify.

I was motivated further to explore Spotify as my car CD player has stopped working and I need to replace it soon. So I have started playing the iPhone in the car as a substitute.

File:Zune logo.svg

I have been a loyal Zune software subscriber since its start in 2006. I have accumulated 5,913 listens to Zune in that time frame. I subscribe to Zune Pass at $14.99 a month, which also gives me 10 free songs a month. But Zune is starting to crumble as a solution and has not shown much innovation of late. Also it is having a problem downloading albums I buy in sequence, skipping songs in their logical order, which is a hassle. Zune is failing to keep up with the times, c’est la vie.

I have been eagerly awaiting Zune to supply a couple of  ”promised” features which I doubt are ever coming in spite of Microsoft’s Cloud initiative.

Microsoft Zune is failing to live up to my expectations as a Web music service offering. The most notable Zune technology failure is the lack of social networking capability and integration Microsoft “does not supply”. Sharing has very little fellow Zune subscriber participation.  It is a promise in principle unfulfilled. Microsoft failed to innovate the music software sharing options I expected them to carry out, such as more immediate Web music locker sharing, Facebook integration etc. It doesn’t seem that Microsoft will ever leverage its 1.6% investment stake in Facebook to become the “Facebook Music” solution.

It is very clear that Spotify has secured that leadership role and is declared “Facebook Music”. When Mark Zuckerberg is endorsing your product solution you have “arrived”.  Spotify is destined to conquer the American music subscriber’s market with its ease of use and focused integration with Apple iTunes, Windows Media Player files (that’s how I will reuse my Zune music library and cut the cord with Zune Pass…).

“Spotify is so Good”
Mark Zuckerberg, CEO and Founder of Facebook

I purchased a Spotify Premium Service subscription today to get a better idea of what Spotify offers a music subscriber. I like what I am experiencing thus far. Spotify has indeed done their homework with their technology edge.

I really like that for $9.99 a month  with Spotify I have 13 million songs readily at my disposal with the  iPhone Spotify cloud app. It was effortless to search and hear music through the Spotify Cloud to my iPhone. I rather like how they smartly randomized Neil Young’s catalog for me as I drove home from work this afternoon. Zune can’t do that….

As the Microsoft Cloud forms I don’t see the Zune solution leveraging the music locker experience effectively or at all for that matter.

I will save $5 a month with Spotify versus Zune Pass and I can have very high quality stream/sync functionality.

Spotify you are my new Web music subscription service. Microsoft’s Zune say hello to the curb. Oh and Microsoft speculation about XBox Music doesn’t move me…..

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