Tagi – Charles Lloyd

Charles Lloyd wrote on his Web site,

Music is a healing force. It has the ability to transcend boundaries, it can touch the heart directly, it can speak to a depth of the spirit where no words are needed. It is a most powerful form of communication and expression of beauty. Whether in context of my “New Quartet” with Jason Moran, Reuben Rogers, and Eric Harland, or Sangam, with Zakir Hussain and Eric Harland, and more recently with Maria Farantouri, it gives me great joy to make music with each of them. Each time we play together there is a healing wholeness that permeates the atmosphere.

We must go forward, all the great ones that went before us insisted on this. For each generation, it is incumbent upon us to rise up and sing the song – the journey and pursuit is unending. I will always remember that from his death bed Master Higgins told me “We must continue to work on this music,” and as long as I am able, I will continue to do so. Each of us has his own experience, and from that experience, something is transmitted. For me, the purpose of life is to know God and the struggle of spiritual life will go on as long as I have breath. The pursuit and the music are one.

Yours in the music,
Charles Lloyd

The most reflective, uplifting moment of the Charles Lloyd New Quartet concert at Wesleyan University, now two days hence,  was the performance of the spoken word meditation, “Tagi.”

Pianist Jason Moran pulls up another chair to the piano and Charles Lloyd sits next to him swinging the microphone close to allow for his poetic narration to flow from his guiding light voice to our ears and senses.

“Tagi” is a Bhagavida Gita inspired Lloyd composition where Charles Lloyd poetically speaks in a meditative chant-like mantra on top of the arco bass of Mr. Rogers, the delicate piano tinkling of Mr. Moran and the “Om-like” baritone chants of Mr. Harland. The moment that Lloyd’s spiritual narration over the soft accompaniment creates is deeply inspiring yogi.

He knows bliss in the Atman

And wants nothing else.

Cravings torment the heart:
He renounces cravings.
I call him illumined.

Not shaken by adversity,
Not hankering after happiness:
Free from fear, free from anger,
Free from the things of desire.
I call him a seer, and illumined.

The spirituality and the healing power of “Tagi” is further accented by Charles Lloyd on tenor sax. His instrument flows with a cornucopia of colors as we regale in the splendor of the illumination.

Ah at last it has all become abundantly clear, the mirror is a reflection of our inner soul.

Namaste, Charles Lloyd and the New Quartet, until we meet again on the astral plane, Peace be with you 🙂

Advertisements

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s