Paul McCartney, Technology + Collaboration

Members of the Paul McCartney Fan club ( like us) can order the high-resolution deluxe digital download edition of Paul McCartney’s Kisses on the Bottom recording. This package includes two extra tracks, “Baby’s Request” and “My One and Only Love“, plus access to a free live download on February 14th, Valentine’s Day.

Paul McCartney is very meticulous in his recording methods. The high-resolution production process utilized is described by engineer Allan Rouse of Abbey Road Studios:

The audio industry has seen many technical innovations since Paul McCartney and Wings’s Band on the Run was first released on vinyl in 1973, the most notable being digital recording. However, with the introduction of CD came two advances, “de-noising” and “peak limiting” which have become increasingly unpopular within certain areas of the music industry and amongst audiophiles.

De-noising was introduced to remove the inherent sound, or hiss, associated with analogue tape. The amount of processing used to remove tape noise can be varied, but when used excessively, many believe that it also has a detrimental effect on elements of the musical sound.

Copyright 2012 Paul McCartney Website

Peak limiting is a process that increases the loudness of music. It is achieved by holding the loudest peaks down and raising the overall level of the music. Much depends on the amount of limiting applied, but at its most extreme the result can be a serious reduction in the dynamic range and often audible distortion.

The release of The Beatles’ remasters in 2009 saw a marked change in attitudes towards these issues, where both noise reduction and limiting were used sparingly with the aim of representing the master tapes more accurately. Such is the case with the newly remastered Paul McCartney and Wings CD of Band on the Run: tape noise reduction has scarcely been used and the degree of limiting is subtle. In addition digital technology has advanced with the ability now to offer recordings in 24 bit/96kHz/16 track. The high resolution version is being made available via download and is being offered in two formats: limited, which is comparable in volume to the remastered CD, and un-limited, which in comparison with the limited version will sound quieter, but retain the dynamic range of the original master recording.

Rosemary and I love most about Paul (in addition to his ability to leverage technology) is his incurable romantic personality. The timing of this new album, just a week before Valentine’s Day makes it the perfect gift for your Valentine.

Copyright 2012 Paul McCartney Website

The majority of the tracks are solo efforts with the exception of  two  Paul McCartney written songs, “My Valentine” and “Only Our Hearts”.

Eric Clapton plays guitar on “My Valentine”.

Stevie Wonder collaborates with Paul McCartney on “Only Our Hearts”. This marks the 30th anniversary of their classic hit, “Ebony and Ivory“.

Stevie Wonder joined Paul McCartney at LA’s Capitol Studios to record the track.

Paul McCartney spoke about working with Stevie again.

Copyright 2012 Paul McCartney Website

“Stevie came along to the studio in LA and he listened to the track for about ten minutes and he totally got it. He just went to the mic and within 20 minutes had nailed this dynamite solo. When you listen you just think, ‘How do you come up with that?’ But it’s just because he is a genius, that’s why.”

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2 Replies to “Paul McCartney, Technology + Collaboration”

  1. Isn’t it funny….I was the big Beatles fan in the 60’s at our house and my brother David Santos was the big Beach Boys fan and it was David who got to meet Paul McCartney backstage at Paul’s induction into the Rock ‘n Roll Hall of Fame. David was playing with Billy Joel at the time as his bass player, How ironic that the Beach Boy fan brother gets to meet the Beatles fan brother’s hero…life is weird!

    Check out my new Music Blog at:

    http://www.richardsantos.info

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