The second studio album from the stellar Tedeschi Trucks Band is in the can and will be released August 20th, 2013. It is titled Made Up Mind. I genuinely love what this 11 piece ensemble delivers so I am eager to hear some initial cuts. I can see from their recent set lists these songs are being played live 😉
All I can tell you now is what the news release states:
The product is an energetic, powerful album that is both timeless and characteristically difficult to classify.
Their second CD, Brooklyn Babylon is a collaboration between the Secret Society leader, Argue and graphic novelist, Danijel Zezelj. Zezelj created the visuals that served as the backdrop for the 2011 Brooklyn Academy of Music world première and conceptualized the fictional story it tells.
I love engaging productions that tell significant stories that expand the consciousness. The babel construction forms a unique visual and aural sound-scape as this video attests.
Featuring 17 previously unreleased track this deluxe edition box set offers the chance to experience the songs you know and love but often in alternate versions, including mono singles, demos, instrumental tracks, live concert and television recordings, and more.
Housed in a colorful slipcase with a lavishly-illustrated 104-page book, the box set will feature 77 tracks, 17 of them previously unreleased.
Three major elements are central to the 104-page book. There is the authoritative liner notes essay written by Jeff Kaliss, author of I Want To Take You Higher: The Life And Times Of Sly & The Family Stone, the group’s only authorized biography. The booklet also contains a comprehensive, lavishly-illustrated timeline compiled by Dutch authorities Edwin & Arno Konings. Nearly 100 entries span from March 15, 1943 (“Sylvester Stewart is born in Denton, Texas. Six months later, the family moves to Vallejo, California”) to a final update in late-2012. The Koningses have also contributed track-by-track annotations for all 77 cuts in Higher! The notes contain excerpts from Thank You, the Koningses’ own forthcoming biography of Sly & The Family Stone. (Go to www.slystonebook.com).
They have put out a 5-song EP called “Brass Tactics”. It’s available on the Love This Giant website for free, and includes a couple of live tracks from the fall tour which we saw at The Beacon Theatre in New York City on 9/26/12. The free EP has a couple of remixes, and a song David and St. Vincent recorded in the studio that didn’t make it onto the album. You can download that here. They also put together a little video of clips and thoughts about the last tour and the new one to come, which you can see there, as well.
At the 2013 Cannes Film Festival the Grand Prix prize (AKA, second place) went to Joel Coen and Ethan Coen‘s ‘Inside Llewyn Davis,’ which tells the story of a folk musician in Greenwich Village in the early 1960s.
I have been enthusiastic about this film since I first discovered its existence. I went out and purchased the book The Mayor of MacDougal Street about Dave Van Ronk on which the fim is based. I read it with a passion I rarely feel from authors.
I was in Greenwich Village yesterday on MacDougal Street actually spending time with our son and family walking about as we admired the sights and the scene.
Here is the new poster for the film, scheduled to début on US screens on December 6, 2013.
I am eager to hear the soundtrack when it is released as I believe T-Bone Burnett has the midas touch when it comes to music. T-Bone Burnett let it slip there would be a series of live music shows performed prior to the film’s release. The music of our heart is all ears for when these performances will be announced, trusting some will be in NYC 😉
Henry Diltz is a photographer who has captured through his lenses a unique music history of images. As a resident of Laurel Canyon, California you could say he was in the right place at the right time. Laurel Canyon has significant historic importance to the evolution of folk-rock and songwriter music.
He photographed the most enduring images of the 60s folk-rock stars who lived in LA’s Laurel Canyon. Now Henry Diltz has directed a documentary about the period. Legends of the Canyon, The Directors Cut on DVDwill be available on June 11, 2013.
Legends of the Canyon delivers the story of how rock music spawned in the garden of the Hollywood Hills, Laurel Canyon. Many of rock music’s legendary artists of the late 1960′ s brought to life the anthems of a generation in the commune-like setting of these hills. Crosby, Stills and Nash, The Mamas and the Papas, Joni Mitchell, America, Buffalo Springfield and many others feature.
Disc 1 is the documentary film. Disc 2 will be packed with extra bonus features including previously unreleased archive footage:
Henry Diltz’s 8mm silent footage of Crosby, Stills, Nash and Joni Mitchell at Big Bear, CSNY at Balboa Stadium, Woodstock (exclusive footage), silent footage of Stephen Stills in the UK, Byrds at the Troubadour LA.
Exclusive Photo Library including Buffalo Springfield, CSNY, The Byrds, Hendrix, Jim Morrison, The Mamas and Papas, Woodstock and more…Extended interviews with Crosby, Stills and Nash, Ron Stone, Van Dyke Parks and Gerry Beckley
Bootleg footage from Oklahoma “Stills Tour” All releases will also feature a 20 Page Booklet
An excellent book I own and recommend highly is Canyon of Dreams: The Magic and the Music of Laurel Canyon. It is a well researched coffee table sized book that is the perfect companion piece to Legends of the Canyon documentary.
The original album, Super Sessionhas begat several variations on a theme. Starting with the original, genius sessions in 1968, then moving through time Al Kooper and Columbia Records (Sony) have shown us the extended value(at times) of more collaboration, live recordings, and remastering efforts.
We begin the Super Session catalogue with the original pressing on vinyl for Columbia Records. I bought this record in the summer of 1968. I took it to high school with me often during senior year (68-69). I played it many days in my art class where we had a hi-fi system for music as a back drop. I played it the last day of high school in the gymnasium as the prom committee decorated for our prom, The Magic Carpet Ride (1969). The blues filled the gym as we seniors reflected on the last day of class. We booked the superstar band from Elektra Records, Rhinocerosto play as our prom band. They were awesome.
Sony released Super Session as a 24-bit remastered CD on April 8, 2003. I bought a copy and I was disappointed with the result. Yes like most reissues there were extra tracks, even editions of the original tracks without horns (which I abhor). But I found it overkill and a wasted effort.
What frosted my cake even more was that Al Kooper remixed Super Session in 5.1 SACD. But Sony closed the SACD division and this recording along with Blood, Sweat and Tears, Child Is The Father To Man sit on a shelf, collecting dust somewhere. Such a pity.
In late 2004 Al Kooper released this statement:
To the best of my knowledge, based on an unnamed source, the new head of SONY/BMG shut down the 5.1 SACD department and let everyone go. A year and a half ago I remixed Super Session and Child Is Father to the Man for them in 5.1 SACD. They both came out incredible and so I mastered them with Bob Ludwig. Now it seems they will languish on the shelves under the current administration of SONY/BMG.,……..Typical, in soooo many ways.” 
I was very excited in 1969 when I read in Rolling Stone Magazine that Al Kooper and Mike Bloomfield had a live recording coming out based on the Super Sessions. I haunted To-Ve’s Record Shop in Norwalk until that recording hit the wall rack. I loved the feel of that live recording immensely. It also introduced me to a very young Carlos Santana who stepped in to play for Mike Bloomfield when insomnia placed him in the hospital during the Fillmore West gig.
The cover painting by Norman Rockwell is mesmerizing. Here is a picture of Al, Norman and Mike together.
The tapes for Super Session Live (East) were lost for 30 years. Fortunately they were recovered and we have the Fillmore East gigs to listen to now. The sound of the Fillmore East is unequalled in the history of live music recordings. The extra juice of this recording is that Johnny Winter was, if you will excuse the expression, white-hot in those days. Mike Bloomfield introduces Johnny Winter to the audience and he rips it up, Texas blues style.