I awoke this morning to have the Mrs. tell me that Glenn Cornick, the original bass guitarist for Jethro Tull passed away yesterday. Glenn Cornick is the first member of the original Jethro Tull to join the Great Beyond. Sigh. Death comes to us all.
I reflect on what Glenn Cornick and the early Jethro Tull band means to me. The beautiful aspect of musicians we admire is that we can continue to stay connected with them through their recorded music.
“This Was”, “Stand Up” and “Benefit” were to feature the personable and idiosyncratic style of Glenn Cornick during the next three years in which he played his important role in the early years of Tull.
Ever the party animal, Glenn grew apart from the other band members during 1970. This was a reflection, not of Glenn’s social waywardness, but of the reclusive and insular nature of the other guys’ rather private and atypical lifestyles.
Glenn was “invited to leave” by manager Terry Ellis but given due encouragement to form his own Chrysalis Records signed band “Wild Turkey” which enjoyed some success with records
Glenn Cornick was a very animated bass player. He had long black hair that he attempted to keep in control with a head band. But when he played bass he would dance wildly as his hair flopped all around his face. Loved that image of him and that’s how I want to remember Glenn Cornick best. Happily immersed in his pursuit of bass notes driving Tull along.
Peace be with you Glenn Cornick the music of our heart goes out to your family and loved ones in this time of sorrow.
I was deeply saddened to learn of the passing of Brian Farmer. To me he will always be the heart and soul of Gov’t. Mule.
He was a vibrant character, dedicated to his craft as the road and equipment manager for The Mule. He was a focused guitar tech and incredible buddy with Warren Haynes.
I have two videos I want to share with you about Brian.
The first is a video of Brian Farmer participating with Gov’t. Mule in the song, “Don’t Step On The Grass Sam” by Steppenwolf. We saw Brian do this with The Mule at the Ives in Danbury a few years back. It really made the evening for us.
The second video is a beautiful moving tribute to Brian Farmer performed at Bob Weir‘s TRI Studios. You can feel Warren’s heart breaking as he plays “I Know You Rider”
Rest in Peace, Brian Farmer. We miss you dearly. #ThankYouFarmer
“He was a close friend, a devoted worker, and a lover of life,” says Warren Haynes. “We traveled around the world together and shared many experiences-mostly while laughing. He will be missed by a huge circle of friends and family.”
Greil Marcus selects ten songs recorded between 1956 and 2008, then proceeds to dramatize how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun.
Van Morrison has selected his best and most iconic lyrics which span 50 years of writing and representing his entire creative journey for a new lyrics book. Lit Up Inside will be the first literary work published with Morrison’s blessing.
Van Morrison himself sought out City Lights to publish the U.S. edition of his selected lyrics. Morrison chose City Lights to release the book because of the house’s consistent commitment to artistic integrity, from the beat generation forward.
I’ve decided in the music of our heart that purchasing directly from City Lights will further confirm Van Morrison’s belief in City Light’s independent vision. It is due to released on October 21st, 2014.
The introduction by Eamonn Hughes, of Queen’s University, Belfast, gives a career-long overview of the creative influences Morrison has absorbed and channeled through the years. The Foreword by poet David Meltzer provides an appreciation of the writer’s craft demonstrated in Morrison’s evocative, timeless lyrics.
The inimitable Bob Seger is readying his first new studio album in eight years, Ride Out. The album is scheduled to drop on October 14, 2014.
The first song to première from Ride Out is “Detroit Made”. Bob Seger released a cover of John Hiatt‘s “Detroit Made”, which served as the opening song on his Spring 2013 tour to radio stations, specifically timed to last weekend’s Woodward Dream Cruise, an annual car event held in the Detroit suburbs.
I have been fortunate to experience rock music artists performing with a full symphony on stage with them. The collaboration of strings, brass, woodwinds and tympani set against rock has been extraordinary. The two concert moments that transfigured the music of our heart were Yes in 2001 (captured on DVD as Yes Symphonic Live) and Jeff Beck in 2010 performing with a symphony group, Nessun Dorma by Puccini, it is an aria from the opera Turandot.
Which leads me to Kitaro, who I have yet to see live in concert. Kitaro is #1 on my list of must see concerts. I’m beginning to think I will have to travel elsewhere in the world to see him perform but I am perfectly willing to do so, 🙂
Recorded Live at the Halic Congress Center in Istanbul, Turkey over two evenings in March of 2014, Grammy and Golden Globe winning artist Kitaro’s “Symphony Live In Istanbul” is breathtaking. The album features new musical material while also including eight of the acclaimed artist’s most requested and popular compositions.
This amazing performance marks Kitaro’s first-ever recording for the Domo Music Group balancing the artists trademark signature sound and expanding it to new heights with the addition of a full live symphony orchestra.
Kitaro noted “In 1980, I began composing and producing music about the passageway and excursions of the Silk Road. This past spring, I embarked upon my first Symphonic Tour that reached Russia, Eastern and Central Europe and had the distinct pleasure of performing in Istanbul; a place where from ancient times to modern times, has flourished as an important hub of the Silk Road where Europe and Asia meet.”
The Music Of Our Heart Jukebox recalls noteworthy 45 r.p.m. hits. Today’s selection C5 on Throwback Thursday is “Sukiyaki by Kyu Sakamoto.
The song reached the top of the Billboard Hot 100 charts in the United States in June of 1963, and remains to date the only Japanese-language song ever to have done so. It is one of the best-selling singles of all time, having sold over 13 million copies worldwide.
The World Peace Prayer Ceremony is a global celebration of the oneness of life and the human family. With united hearts and minds, participants of the Ceremony are invited to invoke prayers for peace to prevail in the countries and regions of the world. It is a moving ceremonial ritual rising above national boundaries, religion and ideologies giving expression to the universal wish for peace and harmony which lies at the core of every human heart.
Open Source has revolutionized computing. Here is an interesting development that involves coding and concert programming. A live coded concert. Talk about getting your Geek on 😉
The Concert Programmer, Andrew Sorensen’s Creative Computing
Imagine a future where concert programmers are as common a fixture in the world’s auditoriums as concert pianists. At the Open Source Convention (OSCON) last month Andrew Sorenson* live-coded the generative algorithms that produced the music that the audience heard.
The language that Andrew is using in the video is called Extempore, designed by programmer Benjamin Swift specifically for live coding of multimedia experiences. Learn more about it and try it for yourself on the official Extempore site.
*Andrew Sorensen is an artist-programmer whose interests lie at the intersection of computer science and creative practice. Andrew is well known for creating the programming languages that he uses in live performance to generate improvised audio-visual theatre. He has been invited to perform these contemporary audiovisual improvisations around the world. Andrew is a Senior Research Fellow at the Queensland University of Technology and is the author of the Impromptu and Extempore programming language environments.