Perhaps you share the sentiment I have experienced about wanting to visit the San Francisco Bay area to celebrate the 50th Anniversary of the Summer of Love. Should you be contemplating that journey this year I recommend you read the Summerof.Love Website.
CHICAGO, March 24, 2017 /PRNewswire/ — Sam Lay, the blues living legend and inductee into the Rock and Roll Hall of Fame, receives a phenomenal tribute in his documentary, Sam Lay in Bluesland. Produced by Starr Sutherland, directed by John Anderson, and executively produced by Michael Prussian, the original film is set to debut on WTTW Chicago on April 6, 2017.
Against a backdrop of the troubled, racially turbulent 1960s, Sam’s singular life, and career are told through his own words, music, and dozens of one-of-a-kind clips from 16mm footage Sam shot while playing decades of gigs that have never been shown in public prior to this film. The documentary features appearances by music greats such as Iggy Pop, Corky Siegel, Elvin Bishop, and his late contemporary James Cotton, who passed just last week. The film also features new performances by The Sam Lay Blues Band, The Siegel-Schwall Blues Band, and Sam Lay & Corky Siegel.
The film will air twice in the first week of April: WTTW HD on April 6, 2017 at 10:00 pm CDT and WTTW Prime on April 7, 2017 at 4:00 pm CDT.
Recognized as much for his signature double-shuffle beat as for his sartorial style — his capes, crowns, canes, and cowbells are the stuff of legend. Sam, who recently celebrated his 82nd birthday, has played a key role in the evolution of the blues for almost 60 years. A free spirit whose musical innovation, unmistakable groove, and explosive power helped create the blueprint for Chicago blues, Sam has earned his place in the Blues, Jazz and Rock and Roll Halls of Fame. He continues to write, record, and perform today.
BAMPFA, the UC Berkeley Art Museum and Pacific Film Archive, is the visual arts center of the University of California, Berkeley. This exhibition is part of San Francisco’s 50th Anniversary of the Summer of Love.
This major exhibition is the first comprehensive exploration of the counterculture of the 1960s and 1970s and its impact on global art, architecture, and design. It presents an extraordinary array of works—many of which have been added for the Berkeley presentation—including experimental furniture, immersive environments, media installations, alternative magazines and books, printed ephemera, and films that convey the social, cultural, and political ferment of this transformative period, when radical experiments challenged convention, overturned traditional hierarchies, and advanced new communal ways of living and working. In the art, architecture, and design of the counterculture one can see early stirrings of the tech revolution and ecological consciousness, as well as powerful expressions of the wish for peace and social justice.
The Cockettes, a flamboyant ensemble of hippies, gay, straight, and undecided, decked themselves out in gender-bending drag and tons of glitter for a series of legendary midnight musicals at the Palace Theater in North Beach.
The Cockettes were born on stage, New Year’s Eve, 1969. The collective passion was to take every fantasy, desire, idol and dream and in the most joyously flamboyant way possible, put it onto the stage.
Founded by Hibiscus (real name, George Harris, Jr.) the troupe performed outrageous parodies of show tunes (or original tunes in the same vein) and gained an underground cult following that eventually led to mainstream exposure. With titles like Gone With the Showboat to Oklahoma, Hell’s Harlots and Pearls over Shanghai, these all singing, all dancing extravaganzas featured elaborate costumes, rebellious sexuality, and exuberant chaos.
The Cockettes were soon heralded as the cutting edge of Freak Theatre appearing in Rolling Stone, Paris Match and even Playboy magazines. They attracted admiration from Diana Vreeland, John Lennon and Marlene Dietrich, among others. Truman Capote and Rex Reed attended a San Francisco performance of Tinsel Tarts in a Hot Coma, and Reed wrote a glowing review calling it “a landmark in the history of new, liberated theater…”
Realizing that Kitaro’s Kojiki and the Universe Live Tour is not destined to be performed at a venue near me, sigh, I did the next best thing. I purchased the Kojiki and the Universe DVD.
It is a beautiful series of music compositions set against rolling space photographs. We are but a mere speck of dust in the holy majestic universe. The images from NASA and other sources gathered by Kazunari Shibata (Kyoto University) display in breathtaking beauty on the 52″ HD TV mounted on the wall connected to the Sony Blu-Ray 7.1 Home Theatre system. The splendor of science prevails.
The collaborative experiment of merging music, Kitaro’s Kojiki and movies of the universe achieves that rare sense of wonder to compel us to discover beyond our planet.
Kitaro continues to expand my consciousness for which I am forever grateful.
The Tedeschi Trucks Band carries on the road tradition of The Allman Bros. Band as does Gov’t. Mule. Both groups have strong followings, possessing amazing musical depth combined with unique versatility.
Live From The Fox Oakland, is TTB’s latest recording available in a live concert and audio media CD/DVD format.
Album Track List
Don’t Know What It Means
Keep On Growing
Bird On The Wire
Within You, Without You
Just As Strange
Crying Over You
These Walls (featuring Alam Khan)
Right On Time
Don’t Drift Away
I Want More (Soul Sacrifice outro)
I Pity The Fool
Let Me Get By
Watch the video of the set closer, “Let Me Get By”
Dogfish Head Craft Brewery Inc. for the second year is the Official Beer of Record Store Day.
Celebrating music Dogfish Head has crafted Beer To Drink Music To ’17, a tropical blonde ale brewed with kiwi juice and hibiscus flowers.
In addition to the Record Store Day event, Dogfish Head is helping to sponsor and promote The Paste Sampler, a clear vinyl LP included with Paste Quarterly Spring 2017 an innovative rebirth of Paste Magazine in a large 12″ magazine format.
I got my copy yesterday as a result of an IndieGoGo crowdfund pledge I made. It is a sweet magazine to savor and read. I plan to listen to the sampler this weekend, read my new magazine and have a Beer To Drink Music To ’17 as I sit out the winter storm headed our way.
Cheers to Dogfish Head Brewery for taking a leadership role in music empowerment!
Whenever I think of Sun Ra I feel his soul traveling the cosmos, connecting with the planets and solar systems he was always in direct transmission with in his time on Earth.
Sun Ra and His Arkestra’s Thunder of the Gods the new Sun Ra LP touches ground in the earthly bins, 50 years after its creation!
Sun Ra is still trying to get our attention 50 years after dispatching this transmission. Humanity’s path since then makes his message even more urgent today. Years after Herman Poole “LeSony’r Ra” Blount “left the planet” he’s still trying to reach us, to wake us up and to change our destiny.
Sun Ra and the Arkestra weren’t a traditional studio band, and every star in the vast galaxy of their discography reflects this. The origins of these records can be hard to pinpoint at times, but when it comes to Thunder Of The Gods, it’s a bit easier. “Calling Planet Earth – We’ll Wait For You” was discovered on tapes from Ra’s, Universe In Blue, believed to be recorded in ’71. The raucous title track and “Moonshots Across the Sky” are unearthed from the ’66 Strange Strings sessions. Modern Harmonic has once again paired Ra’s sonic art with the visual art of “The Father of Modern Space Art,” Chesley Bonestell, whose 1952 work ”Formation of the Earth’s Continents” sprawls across the front and back covers.
“Thanks to Modern Harmonic, in partnership with Sun Ra LLC, soon you will be holding an album of unreleased Sun Ra music 50 years after it was recorded! That this music survived to reach our ears after all of this time is quite a miraculous gift. It sounds as though it could have come from either the ancient past or the distant future, yet most perfectly, it’s the music of right now.” — Christopher Eddy (Sun Ra Arkive)