The music recorded for the Miles Davis Biopic, Miles Ahead is pure improvisational genius. The Miles Ahead (Original Motion Picture Soundtrack) has original Miles Davis recordings plus new material composed by Robert Glasper performed by Don Cheadle on-screen (where trumpeter Keyon Harrold managed to dub in sensational Miles-like horn parts).
What can I say about Robert Glasper’s contribution to this project? I am in awe of what he has crafted with Don Cheadle and others. Scoring the film proved one of the biggest challenges of Glasper’s career.
“It was amazing, enlightening, hard, stressful, challenging – all of that,” Glasper said.
One of my favorite tracks is “Gone 2015”, featuring Pharoahe Monch.
Don Cheadle is a huge supporter of my music and is a fan and he reached out,” energetic Monch relayed. “We worked on some original stuff and the shit came out so Illmatic. We were in the mad old school style studio with all the instruments with the wood panels and piano, horns and all that stuff. We wound up working on this one joint. It was me, Robert and Keyon Harrold—who actually played trumpet on the song and throughout the film—and we came up with an ill joint and [Sony Pictures Classics] loved it. We just kept it raw. We actually just kept it like we did in the studio; just mad raw but when you hear it in the soundtrack, it will actually be mixed.” – courtesy of HipHopDx http://hiphopdx.com/news/id.38137/title.pharoahe-monch-talks-working-with-don-cheadle-on-miles-ahead-soundtrack
Robert Glasper was given full reign to sample, rework, and reinterpret anything in the Sony Miles Davis catalog that he pleased. He came away with a warm, life-affirming album of eleven reinvented Miles classics.
One highlight track is “Violets,” a collaboration with North Carolina hip-hop veterans Phonte of the hip-hop soul outfit the Foreign Exchange and producer 9th Wonder.
Antonio Sanchez drummer and composer has evolved superbly from sideman to leader. I am proud of his achievement and recognition. I have been a fan of Antonio Sanchez percussive style ever since I saw him drum live with The Pat Metheny Group on the Speaking of Now tour in 2002. He left a lasting impression on me the two times I have seen him perform with Pat Metheny.
I witnessed the movie Birdman last night. I was swept along again by Antonio Sanchez’s drum compositions. His sharp accent helped to transfix my attention to Michael Keaton’s dilemma.
Perhaps that was Director Alejandro G. Iñárritu’s intent. In any case it totally worked. I hope you get to experience the film and its incredible soundtrack. Be prepared for an exhilarating flight.
Go see this film. If you saw the first film, just wait til you see the sequel. It was wonderful as was the music. See it in a Dolby Sound Theater near you! We saw it this afternoon. It was enchanting and moving!
We enjoy practicing our faith. We love to listen to as well as see Patti Smith “live” in concert. So it is a double thrill that the biblical motion picture Noah which includes a new lullaby from Patti Smith will soon be here. The gentle song, “Mercy Is”, was written and sung by Patti Smith as she collaborates with the Kronos Quartet and Clint Mansell the composer of the film’s soundtrack.
Here is the world première of “Mercy Is” from Mary Anne Hobbs’s BBC Radio Show.
Director Darren Aronofsky’s comments:
I’ve been friends with Patti for a long time, and I needed a lullaby for the movie because it’s a big part of the story. I was telling Patti about my struggles, and it turns out she’s studied lullabies and writes a lot of them. She was like, “Can I please write it for you?” And I said, “You’re asking me that question?” [Laughs] I said “absolutely” with as much of a poker face as possible. She wrote this incredible lullaby that Russell Crowe sings to Emma Watson in the movie. It’s really touching and beautiful.
We ventured inside the music outpost I had anticipated shopping in for a week now. It is a work in progress as construction crews were hard at work as we walked about. Rough Trade NYC had a well stocked Record Store Day section as I had expected. I quickly found the vinyl LPs and EPs I sought from the Record Store Day checklist. Granted they were a little more expensive than other record stores in the area, but they are facing significant start-up costs and I didn’t mind paying extra to support their brand.
The Rough Trade NYC store register system is dependent upon an Internet connection. We were informed the Internet was unavailable? The only option for payment this morning proved to be good old hard cash.
We walked about Green Point in among the Row Houses. The Permanent Records shop was quaint and homey. The staff played an Arista sampler that featured Ian Drury, Elvis Costello and Patti Smith. I purchased a couple of EPs. My son picked up the two Fall Out Boy Record Store Day items.
The Loot 😉
Gene Clark Here Tonight: The White Light Demos Omnivore Recordings LP
Harry Nilsson Rarities Collection Columbia Records LP
The Inside Llewyn Davis soundtrack is available on vinyl at indie record stores at the “throwback 60’s” price of $5.98, today only, one week ahead of the CD and digital versions’ official November 11th street date.
If you can’t get to an indie store it is available online, today only at the Nonesuch Store. Nonesuch Store orders include an exclusive 11″ x 7″ poster from the film and an instant download of “Fare Thee Well (Dink’s Song)” performed by Oscar Isaac, who plays Llewyn Davis in the film, and Marcus Mumford.
We saw the documentary Muscle Shoalsyesterday afternoon. All I can say is if you love music and want to know why it sounds so good, go see this movie. The film captures the beauty of Alabama along the Tennessee River and the engineered audio excellence of so many time proven recorded classics.
The Muscle Shoals Soundtrack captures the film’s music essence. I would have loved to have seen “Wild Horses” by the Rolling Stones and “Main Street” by Bob Seger on the soundtrack but oh well that’s show business 😉
It’s a mind blower to know that “Sitting in Limbo” was NOT recorded in Jamaica! How I love that song. The versatility of The Swampers is amazing.
Albeit I am familiar with music and its many genres. When the subject progresses one level down to subgenres I learn how much I have not heard or experienced yet. This excites my senses to discover new realms.
Post-rock, according to a definition in wikipedia is characterized by the influence and use of instruments commonly associated with rock, but using rhythms and “guitars as facilitators of timbre and textures” not traditionally found in rock. Post-rock bands are often without vocals.
I know truly little about the 100’s of post-rock bands listed here. I accept that challenge readily as an explorative listener.
The post-rock band that has garnered my attention this evening is Explosions In The Sky. I stumbled upon them in a non-related Google search that simply stated they will be scoring the soundtrack for Al Pacino’s new film, Manglehorn(Director: David Gordon Green).
The first collaboration was Prince Avalanchewhich releases next week on August 9th on screens, iTunes and on-demand. It looks like a funny, enjoyable independent film. It was filmed in secretive fashion by Green away from the Hollywood machine. The soundtrack drops 3 days earlier on August 6th.
The Inside Llewyn Davis soundtrack has been announced on Nonesuch Records. The soundtrack features songs by Bob Dylan and Dave Van Ronk, along with tunes performed by stars of the movie, including Justin Timberlake, Oscar Isaac and Carey Mulligan, as well as Marcus Mumford (Mulligan’s husband) and the Punch Brothers.
The 14-song collection, produced by T Bone Burnett, Joel Coen and Ethan Coen, is due out September 17th on Nonesuch (pre-order it here). Soundtrack pre-orders include an exclusive, 11″ x 7″ print from the film.
The Coen brothers have collaborated with T Bone Burnett for the fourth time, who won five Grammys for the soundtrack to O Brother, Where Art Thou?
“Hang Me, Oh Hang Me” (Traditional; arranged by Oscar Isaac and T Bone Burnett) – Oscar Isaac
“Fare Thee Well (Dink’s Song)” (Traditional; arranged by Marcus Mumford, Oscar Isaac and T Bone Burnett) – Marcus Mumford and Oscar Isaac
“The Last Thing on My Mind” (Tom Paxton) – Stark Sands with Punch Brothers
“Five Hundred Miles” (Hedy West) – Justin Timberlake, Carey Mulligan and Stark Sands
“Please Mr. Kennedy” (Ed Rush, George Cromarty, T Bone Burnett, Justin Timberlake, Joel Coen and Ethan Coen) – Oscar Isaac, Justin Timberlake and Adam Driver
“Green, Green Rocky Road” (Len Chandler and Robert Kaufman) – Oscar Isaac
“The Death of Queen Jane” (Traditional; arranged by Oscar Isaac and T Bone Burnett) – Oscar Isaac
“The Roving Gambler” (Traditional) – John Cohen with the Down Hill Strugglers
“The Shoals of Herring” (Ewan MacColl) – Oscar Isaac with Punch Brothers
“The Auld Triangle” (Brendan Behan) – Chris Thile, Chris Eldridge, Marcus Mumford, Justin Timberlake and Gabe Witcher
“The Storms Are on the Ocean” (A.P. Carter) – Nancy Blake
“Fare Thee Well (Dink’s Song) (Traditional; arranged by Oscar Isaac) – Oscar Isaac
“Farewell” (Bob Dylan) – Bob Dylan
“Green, Green Rocky Road” (Len Chandler and Robert Kaufman) – Dave Van Ronk