Music for Installations – Brian Eno

Brian Eno announced he is releasing a CD box set, “Music for Installations,” on May 4, 2018. It features works he has composed since 1986 for mixed-media installations in galleries, airports, hospitals and other public spaces.

The set will be available as a six-CD box and on vinyl, with super deluxe editions of both versions containing a 64-page book that features rare exhibition images and a new essay by Eno.


One piece, “Kazakhstan,” for example, was written to accompany the artist Asif Khan’s 360-degree movie, “We Are Energy,” in the British Pavilion at the World Expo in Kazakhstan.

MFI Vinyl1

Music For Installations is a collection of new, rare and previously unreleased music, all of which was recorded by Brian Eno for use in his installations,” reads the press release for the set. “He has emerged as the leading exponent of ‘generative’ music worldwide and is recognized as one of the foremost audio-visual installation artists of his time. Eno’s visual experiments with light and video have proved to be the fertile ground from which so much of his other work has grown and they cover an even longer span of time than his recordings, paralleling his musical output in recent decades.”



Redbone is a Native American rock group originating in the 1970s with brothers Pat and Lolly Vegas. Redbone is known and accredited by the NY Smithsonian as the first Native American rock/Cajun group to have a No. 1 single in the United States and internationally.

In 2014, “Come And Get Your Love” experienced a resurgence in popularity when it was featured in the Marvel Studios film Guardians of the Galaxy as one of the songs on a mixtape made for the protagonist, Peter Quill.[17] It was also included on the film’s soundtrack album, which reached the top spot on the Billboard 200 chart.


Redbone achieved hits with their singles “We Were All Wounded At Wounded Knee”, “The Witch Queen of New Orleans“, “Wovoka”, and “Maggie” in the United States, but predominantly overseas.

Fillmore East Opens 50 Years Ago Today

Big Brother and the Holding Company – March 8th, 1968


For the very first performance at the Fillmore East, Bill Graham decided to bring the sound of San Francisco out to the East Coast. He gave Big Brother and The Holding Company the honor of replacing Freddie King in the opening slot. The New York cultural insiders descended on the venue that evening to witness the blues-rock band fronted by a singer from Texas named Janis Joplin. Even though tensions in the group were at an all-time high because of Joplin’s burgeoning star status, Big Brother managed to set their differences aside that night and deliver a tremendous performance, especially in the second set, which kicked off at nearly two in the morning and gathered a rapturous standing ovation. In the course of just one night, the entire city was put on alert: The Fillmore East was the new place to be seen and heard.

Michael Ochs Archives/Getty

Fillmore East Poster

I recently visited the East Village 2nd Avenue location where the Fillmore East once stood. Here are some photos from that pilgrimage.




Today the property is occupied by Apple Bank. The lobby features one wall of original black and white photographs by Amalie R. Rothschild, the official photographer of the Fillmore East. The other wall has framed color decoupage of various eras of the theatre.






Memphis Rent Party: The Blues, Rock & Soul in Music’s Hometown

One of my favorite music authors is Robert Gordon. He just released his latest book , Memphis Rent Party: The Blues, Rock & Soul in Music’s Hometown with Bloomsbury Publishing.

Memphis Rent Party

“Robert’s feel for his subject is very similar to the subjects’ feel for their music. Blues, being the wellspring of all American music for over a century, is always worth studying. Robert does it right.” –  Keith Richards

Give it a glance. Robert Gordon, a Memphis native citizen has been writing about Memphis music and history for thirty years.

If you plan to be in LA on April 26th, this related event may be of interest to you.

Deep Forest & Gaudi – Epic Circuits

Two years in the making, the much anticipated collaborative studio project between two true music innovators Deep Forest & Gaudi, has gloriously resulted in the release of ‘Epic Circuits’. The brand new album is due to drop in April 2018 CD and Download with Vinyl product to release June 2018.

You can learn more about their project on the Epic Circuits Pledge Music page.

The Who Live at the Fillmore East 1968


April 20th Universal Music drops a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.

The Who were in New York and near the end of a grueling tour on April 4, 1968, the day that Dr. Martin Luther King was assassinated. America was already a country divided; Anti-Vietnam demonstrations, civil rights disturbances and militant student activism. With this turmoil as a backdrop on Friday and Saturday, April 5 and 6, 1968 The Who performed two incendiary live sets at Bill Graham’s legendary Fillmore East on the lower East Side of Manhattan.

The venue had only just re-opened in March by Graham from its previous incarnation as the Village Theatre where the band had played on a couple of occasions the year before. The Who was the first British rock act to headline the Fillmore East and were booked to play four shows over the two nights. However, because of feared social unrest in the wake of Dr. King’s assassination, it was decided to compact the shows into one per night.

The Who’s time in New York City in 1968 can best be described as ‘lively’. Keith Moon’s antics with cherry bomb explosives had meant that the band had to move hotels. When installed in the plush Waldorf Astoria he then somehow managed to a blow a door off its hinges and, they had to move once more.

On the morning of the Fillmore rehearsal, the band was photographed for Life magazine by Art Kane and legend has it that they were so tired from Moon’s antics that they nodded off under the large Union Jack draped over them at the base of the Carl Schurz Monument in Morningside Park. This iconic image was later used as the album cover and poster for The Who’s classic film The Kids Are Alright.

Both nights were recorded by Who manager Kit Lambert with the intention of releasing the results as The Who’s fourth album after The Who Sell Out and before Tommy. Disaster struck when it was discovered that due to faulty equipment or human error only part of the first night was captured. Thankfully the second night was recorded and has now been fully restored and mixed by longtime Who sound engineer Bob Pridden (who was the band’s roadie on those nights in 1968) from the original four-track tapes. For the 50th anniversary of these legendary shows, the unreleased recordings are to be issued on triple vinyl LP and double CD.

Due to an acetate reaching the bootleg market in the early ‘70s, The Who’s reputation as rock’s most dynamic live act quickly grew. The show is regarded by fans as something of the ‘holy grail’ of Who live shows equalling the legendary Live At Leeds album. The tapes have been meticulously remastered for optimum sound quality and will only serve to enhance The Who’s reputation as the best live act of the time.

The 3LP set includes three Eddie Cochran numbers; ‘My Way’, ‘Summertime Blues’ and the never before released Who version of ‘C’mon Everybody’.

Also featured is a rare cover version of ‘Fortune Teller’ written by Allen Toussaint, originally recorded by Benny Spellman but made famous by The Merseybeats, the Rolling Stones, and several English beat groups. These shows also showcased ‘Tattoo’ and ‘Relax’ from The Who Sell Out as well as stunning extended versions of ‘A Quick One (While He’s Away)’ and ‘My Generation’ which becomes a 30-minute-plus jam with the climax of guitar-smashing and drum demolition!


Disc One / Side 1

  1. Summertime Blues
  2. Fortune Teller
  3. Tattoo
  4. Little Billy

Disc One / Side 2

  1. I Can’t Explain
  2. Happy Jack
  3. Relax

Disc Two / Side 3

  1. I’m A Boy
  2. A Quick One (While He’s Away)

Disc Two / Side 4

  1. My Way
  2. C’mon Everybody
  3. Shakin’ All Over
  4. Boris The Spider

Disc Three / Side 5

  1. My Generation (Part One)

Disc Three / Side 5

  1. My Generation (Part Two)


To pre-order the 3-LP click here

To pre-order the 2-CD click here