My love of Yes and progressive rock me has been flourishing. Tomorrow night I have tickets to see Anderson, Rabin, and Wakeman. A concert I have been anticipating for months. In the music of our heart this is Yes.
I have been reflecting on the Yes concerts I have attended in the past. I first heard Yes with The Yes Album in 1970 in the college student lounge. I did not see Yes live until 2001 at the Oakdale Theater in Wallingford, CT. It was the Yes Symphonic Live when Yes toured with a full symphony performing with them. That was also the first time I heard prog rock and symphony combined. It was superb. They were promoting the studio album Magnification which I have a warm affection for today.
Yes Symphonic Live was released on DVD in 2003. I like when artists capture performances I have seen on video. I have this DVD in my music video collection. It helps to recall the concert I witnessed in 2001.
The next time I saw Yes was in May of 2004 at Mohegan Sun Casino Arena. Little did I realize it was one of the last opportunities to see the classic line-up of Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White.. Roger Dean designed an undersea stage setting for Yes’s 35th Anniversary Tour.
As it so happens Yes decided to film and record a concert with the original Yes team a few nights later in Lowell, Mass.
Soon I will see Yes for the third time live. Can you feel the excitement? Rick Wakeman stated that ARW will be recorded (filmed?) live on the US tour. Maybe the Wallingford stop will part of that future recording. Going for the One!
“The song isn’t really about my dad but references him and our strong relationship,” Haynes said.
Source: Gov’t Mule, ‘Soulshine’ « American Songwriter
The Oxford American’s 18th Annual Southern Music Issue will feature stories, profiles, and essays about the South’s most storied and influential musical heritage: THE BLUES.
As always, the issue will come packaged with a CD of songs, with liner notes in the magazine.
The issue is out in early December 2016. Reserve your copy today.
(Pictured: Taj Mahal, 1974. Photo by Baron Wolman / Iconic Images)
“Chasing Trane” reveals the critical events, passions, experiences, and challenges that shaped the life of John Coltrane and his revolutionary sounds. It is a story of demons and darkness, of persistence and redemption. Above all else, it is the incredible spiritual journey of a man who found himself and, in the process, created an extraordinary body of work that transcends all barriers of geography, race, religion and age.
The film narrated by Academy-Award winner Denzel Washington makes its début at the Toronto International Film Festival on Friday, September 9th.
John Scheinfeld, whose directing credits include 2006’s The U.S. vs. John Lennon and 2010’s Who Is Harry Nilsson (and Why Is Everybody Talkin’ About Him)?, wrote and directed Chasing Trane. No theatrical release date is set yet.
Brand new music from Vangelis inspired by the Rosetta space mission. ‘Rosetta’ is out September 23rd and is available to pre-order now.
In a career spanning over 50 years, writing and composing more than 52 albums, Vangelis is regarded as one of the greatest composers of electronic music of all time.
Next month Anderson, Rabin and Wakeman will be appearing at the Toyota Oakdale Theatre in Wallingford, Connecticut on October 21st. I can’t wait to see them perform live.
Jon Anderson received the ultimate prize at last night’s Prog Magazine Awards, accepting the Prog God Award from ARW bandmates Rick Wakeman and Trevor Rabin – the trio’s first public appearance since reforming in January. Love the sneakers with the suit😉
Thank you CBS Sunday Morning for bringing this music learning and its benefits to everyone’s attention.
Gov’t Mule has released a new archival album entitled The Tel-Star Sessions on Evil Teen Records. The LP consists of the band’s very first, and never-before-released, demos made in June 1994 at Tel-Star Studios in Bradenton, Florida. These newly mixed and mastered recordings feature the original line-up – Warren Haynes, Allen Woody and Matt Abts – and capture the rawness and excitement of the earliest days of Gov’t Mule.
Recorded during the infancy of Gov’t Mule, the demos heard on The Tel-Star Sessions are from a time when Mule was an adventurous side project, formed during a year when Warren Haynes and Allen Woody had some down time from their work with the Allman Brothers Band. Becoming one of the most enduring, respected and active bands in the world was the furthest thing from the band’s imagination; the plan was to record a low-budget album and play a few shows.
It’s now clear that they had stumbled upon something special, but at that point Mule was an experimental rock trio: Haynes, Woody and drummer Matt Abts, who Haynes brought in after playing with him in the Dickey Betts Band. Fans will love the chance to hear their early improvisational interplay, an impressive skill that has since become a signature of Gov’t Mule’s albums and live shows.