Albumism is one of several new music Web sites to catch my attention. I discovered them, as a result, of a Follow on Twitter.
Albumism™ is an editorially independent music website dedicated to honoring the album as a vital art form, while connecting with the global community of passionate music fans to celebrate our love affairs with albums past, present and future.
Founded in 2016 and headquartered in Brooklyn, NY, they offer feature articles, tributes, reviews, interviews, news, playlists, streams, and videos, among other forms of content, and always welcome comments, contributions and ideas from our fellow music enthusiasts.
If you are an album fan you are sure to be impressed with their passion and dedication to the album art form and the music it provides our souls.
My favorite article thus far is, “100 Most Dynamic Debut Albums Ever Made“. There is a lot to listen to and appreciate on this Web page. I have been listening to many of these albums on Apple Music and Sonos this past week. Add to your knowledge by looking, clicking and listening to these truly fine works.
Approximately 25 years ago I purchased R.E.M.’s 16-bit audio CD based on a recommendation. Little did I realize it would become my favorite recording of my extensive music collection. It never fails to satisfy through repeated listenings, shuffled tracks, etc. I reach for it often to fill the void.
R.E.M. and Craft Recordings are reissuing Automatic for the People as a 25th Anniversary Deluxe Edition in various editions and packages on November 10th. The edition that has my interest is the four-disc box set. R.E.M.’s Automatic For The People, Blu-Ray Disc 4 is the first album to be commercially released in the expressive, breathtaking format known as Dolby Atmos.
Been waiting for Automatic for the People in high resolution for some time now, soon it will be here…
“It speaks of the fragility and beauty of life and living life to the fullest in the present moment” – Michael Stipe reflecting about Automatic for the People.
It took awhile but I finally added a turntable with speakers to my home office listening experience. The records I own have been calling me to play them again or for the very first time (I’m referring to past Record Store Day purchases that have all remained sealed for years).
We visited New York City on Fathers Day to make a professional turntable purchase at The Turntable Lab (TTL). They are located in the East Village on 84 East 10th Street. My son and I are solid fans of this unique seller that primarily markets to the DJ crowd. I have purchased Record Store Day hard to find recordings from their online store, which I’ll be spinning. Browse their Web site to get a perspective on the packaged turntable solutions they feature as well as their unique product mix. They also move plenty of turntables through Amazon.Com.
TTL is rated one of the world’s best record shops by The Vinyl Factory where my browser has been happily stuck of late. I intend to share what I have learned from The Vinyl Factory in a future post.
You may have seen the recent Web article that SONY/Japan is adding dedicated record pressing production SONY’s vinyl Japanese products. What took people by surprise is SONY’s return to vinyl pressing after 28 years of shuttered plants. I respect the manufacturing analysis SONY reached that primarily pressing for themselves and next phase subcontracting production for other record companies can be a sustainable business. I’d prefer to see SONY open 1-2 U.S. plants as all the NA facilities can’t meet the manufacturing volume for output. That’s a great problem for the music industry to have. The hundred-year-old vinyl LP record averages $30 at retail for a single 180-200 grade vinyl recording. At that price, I am forced to be selective about the limited amount of vinyl I can purchase per year. Vinyl collecting continues to grow at a steady rate and will reach the $1 billion annual sales target by the end of 2018 (if not before).
It feels great to hold a record jacket in my hands and be in concert with the artwork, design and extensive liner notes you can find included with some recordings. I purchased Alice Coltrane’s record the day I bought my Audio Technica turntable. I wrote about WORLD SPIRITUALITY CLASSICS 1: THE ECSTATIC MUSIC OF ALICE COLTRANE TURIYASANGITANANDA in March. It’s next on my playlist and certain to add a warm spiritual healing to our home. Another reason I acquired the limited vinyl edition is to read Ashley Kahn’s liner notes. Ashley is a subject matter authority on John and Alice Coltrane. I have several of his books in my music library. He was a consultant to LuakaBop for this historic recording.