My favorite spiritual hymn is, “Let There Be Peace on Earth”, by Jill Jackson and Sy Miller.
Let there be peace on earth,
and let it begin with me;
let there be peace on earth,
the peace that was meant to be.
With God our creator,
family all are we.
Let us walk with each other
in perfect harmony.*
* © 1955 Jan-Lee Music, renewed 1983. Used by permission; all rights reserved.
“When I attempted suicide [in 1944] and I didn’t succeed,” Jill Jackson said, “I knew for the first time unconditional love—which God is. You are totally loved, totally accepted, just the way you are. At that moment I was not allowed to die, and something happened to me, which is very difficult to explain. I had an eternal moment of truth, in which I knew I was loved, and I knew I was here for a purpose.”
This realization was followed by years of exploring her spiritual nature and her relationship with God. Jackson discovered her love for writing and began writing songs with Sy Miller after they married in 1949.
In 1955, she wrote the lyrics for “Let There Be Peace on Earth” while her husband wrote the melody. The song was introduced at a California retreat to a group of young people who were from a wide variety of religious, ethnic and socioeconomic backgrounds. The young people had come together for a weeklong experience devoted to developing friendship and understanding through education, discussion and working together. The song’s focus on peace and God made it easy to cross many boundaries.
Sy Miller wrote about the effect of the song: “One summer evening in 1955, a group of 180 teenagers of all races and religions, meeting at a workshop high in the California mountains locked arms, formed a circle and sang a song of peace. They felt that singing the song, with its simple basic sentiment—‘Let there be peace on earth and let it begin with me’—helped to create a climate for world peace and understanding.
“When they came down from the mountain, these inspired young people brought the song with them and started sharing it. And, as though on wings, ‘Let There Be Peace on Earth’ began an amazing journey around the globe. It traveled first, of course, with the young campers back to their homes and schools, churches and clubs.”
Miller noted that the song was then shared in all 50 states at school graduations, PTA meetings, holiday gatherings, celebrations of Brotherhood Week, Veterans Day, Human Rights Day and United Nations Day. Kiwanis clubs sang it, as well as 4-H clubs, United Auto Workers, the American Legion, the B’nai B’rith and the Congress of Racial Equality (CORE).
The song was taped, copied, printed in songbooks and passed by word of mouth. Eventually, it spread overseas, sung by Maoris in New Zealand and Zulus in Africa.
In 2009 Random House published “Let There Be Peace on Earth” as a children’s book.
The above information is lovingly shared from History of Hymns, authored by Dr. C. Michael Hawn a professor of sacred music at Perkins School of Theology, SMU.
I am usually leery of artist “bootleg” or non-official recordings. They typically lack the production results I want. My music collection is 99% official commercial music releases.
My niece gave me a wonderful Christmas gift surprise this year. The vinyl recording, “Santana Rynearson Stadium, Ypsilanti MI, 25-05-75”. I had never seen or heard of this live recording. I was happily stunned 🙂
Klondike Records has done Santana and the listener justice. This recording is based on a King Biscuit Flower Hour radio broadcast. It is Digital Remastered and pressed onto 180 Grade vinyl. It sounds great on my Audio Technica turntable.
Santana was the headline act that day with Special Guest Stars, Peter Frampton’s Camel, and Lynard Skynard.
2. Shake It
3. Anywhere You Want To Go
4. Fillmore East
5. Love Makes The World Go Round
6. Freedom In Your Mind
7. Choo Choo
8. All Aboard
11. Blues Magic
13. Leave Me Alone
14. You And I
15. Come As You Are
Sanatana.Com, Santana IV Press Release
SANTANA IV Reunites Legendary Band Lineup
First Single “Anywhere You Want To Go” to be released February 5, 2016
April 15, 2016 marks the release date of Santana IV, the wildly anticipated studio album that reunites the revered early ‘70s lineup of guitar icon Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, lead vocals), Neal Schon (guitar, vocals), Michael Carabello (percussion) and Michael Shrieve (drums). The album signifies the first time in 45 years – since 1971’s multi-platinum classic Santana III – that the quintet has recorded together.
Santana IV features 16 all-new tracks written and produced by the band that burst with the same unparalleled energy and superlative musicianship that made Santana a pioneering force in world music and a household name across the globe. Joining the core Santana IV band in the studio are current Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with the legendary vocalist Ronald Isley guesting on two cuts.
The origins for the reunion go back several years, when Schon suggested that he and Carlos Santana record together. Santana liked the idea but went one better, proposing that they recruit Rolie, Shrieve and Carabello for what would be called Santana IV. After initial writing sessions and rehearsals took place in 2013, the group recorded throughout 2014 and 2015, amassing 16 spellbinding tracks that combined all their signature elements – Afro-Latin rhythms, soaring vocals, electrifying blues-psychedelic guitar solos, and irrepressibly jubilant percussion work – with widescreen hooks and melodies that will lodge themselves in the thicket of listeners’ senses and stay there.
“It was magical,” Santana says. “We didn’t have to try to force the vibe – it was immense. From there, we then needed to come up with a balance of songs and jams that people would immediately identify as Santana.”
The band’s signature sound arrives forcefully on the album opener “Yambu,” a righteously gritty and soulful stomper teeming with swirling B3 organ hooks and walloping guitar crunch.
The first single, “Anywhere You Want to Go,” is destined to storm the pantheon of Santana classics. Written by Gregg Rolie, it’s a sexy, body-shaking winner and an unmistakable tip of the hat to the inescapable cha-cha/Latin jazz charms of “Oye Como Va.”
Special guest, Ronald Isley’s, vocals highlight the feverishly impassioned Latin-rock workout “Love Makes the World Go Round” and the hard-edged and funky “Freedom in Your Mind.”
Guitar fans expecting fireworks from Santana and Schon will cherish Santana IV from front to back. “All Aboard” is a no-holds-barred guitar jam of the highest order, as is the slinky, soulful metal cruncher “Caminando,” which explodes with tectonic axe force. And on the unabashedly British blues-tinged “Shake It,” the two go toe to toe on not one but two extended solo runs that will have lovers of unhinged fretboard work rejoicing.
“Carlos and I feel more connected than ever,” says Schon. “We get super-aggressive when we play, but also melodic and poetic. We have an incredible dialog with each other on our guitars.”
Santana’s recurring themes of love and tolerance are common threads throughout Santana IV, most dramatically on the epic tone poem album closer “Forgiveness,” a languid and breathtakingly gorgeous atmospheric groover.
Music fans familiar with the “roaring lion” artwork on Santana’s 1969 debut album will instantly greet Heather Griffin’s graphic for Santana IV as a gloriously realized update of that iconic image. “I really think the music goes along with the cover, and vice versa,” says Santana. “It all fits together beautifully.”
Few bands can pick up a musical dialog after 45 years apart, but on Santana IV each band member reaches a new level of virtuosity and communal intuition on a collection of songs that easily stands side-by-side with the group’s treasured early work.
“When you can go back and break new ground with joy and determination – and some whoop-ass energy – it gets you going,” says Santana. “I think we achieved something very rare. This music was screaming to come out of us. It wasn’t about nostalgia. It was about passion.”
Santana IV will be released on April 15, 2016, on Santana IV Records and is distributed by Thirty Tigers/RED Distribution. It is available for pre-order on Amazon now. The album will be CD, Double 180 Gram Vinyl with Download Card and Digital configurations.
As a special offer for fans attending select shows on Santana’s upcoming Luminosity tour, a CD copy of SANTANA IV is included with every pair of tickets. This offer will be redeemed via a promo code at Santana.com.
ABOUT THIRTY TIGERS:
Thirty Tigers is a music marketing, management, distribution, and publishing company based in Nashville, Tennessee. Thirty Tigers Distribution has served as a label infrastructure for a vast client base including The Avett Brothers, Jason Isbell, Sturgill Simpson, Chase Rice, Lucinda Williams, Ryan Bingham, The Eli Young Band, Trampled By Turtles, and many others in their 13 years of working with Sony/RED Distribution. For more information, visit www.thirtytigers.com
I expect a limited U.S. tour to be announced. No details on dates, venues, tickets yet….
Stay tuned as more publicity information emerges…
It’s been an exciting month plus for the original members of Santana and longtime Santana fans.
Texas – March 19
The Santana IV Reunion “Live” commences in stages. Gregg Rolie joins Santana in Corpus Christie, Texas on March 19th. It serves as a dress rehearsal for the Santana Mexico concerts to follow.
Mexico – March
Santana reunion efforts began to further gel when Gregg goes on to perform with Carlos and the Band in Monterrey, MX, Cumbre Tajin Festival and at two special co-headline events with Journey in Guadalajara and Mexico City.
Videos of Gregg Rolie sitting in with Santana performing “Black Magic Woman” begin to surface on YouTube.
Things really get exciting when the original Santana nucleus expands when Journey and Santana co-headline. We see Neal Schon playing guitar with Carlos Santana set against the rhythmic backdrop of the Santana band.
Neal Schon has been the motivator pushing for the Santana reunion. I am thankful that he has been instrumental in driving Santana IV to that goal.
Neal, Gregg and Carlos Santana do the dynamic tracks from Santana III, “Batuka/No One To Depend On”, “Everybody’s Everything”. How cool is that?
The stage is set for completing the Santana IV recording in Las Vegas the next month. Can you say supercharged? I knew that you could 😉
Las Vegas – April 2015
The Santana IV Reunion scene shifts to Las Vegas, Nevada. The composition and recording of the final three tracks for the Santana IV recording enters high gear. The Santana IV recording team and studio musicians assemble at Odds On Records and Studios (Audio Mix House) in Henderson, Nevada. Michael Shrieve and Michael Carabello join Neal, Gregg and Carlos to put down the last tracks for Santana IV. They are joined by Benny Rietveld on bass and Karl Perazzo on percussion. Jim Reitzel, Head Engineer at Tarpan Studios mans the boards, coordinating the sounds Santana IV seeks to make. Jim has worked actively with Santana over the years. He becomes the glue to bond Santana IV together. I wonder if he will also be chiefly responsible for the mixing that follows next?
Neal Schon has been vocal about Santana IV touring live at some point in the future. Can wait to see Santana IV live!
I wonder what record label Santana IV will be released and distributed by. Who has the rights? SONY, Arista, or Starfish?
My hat is off to Santana IV!
Good things come to those who wait!
We are fortunate to have the camera team of Libby Fabro and Chad Tasky documenting the events. I think Libby Fabro is a photographer for Team Santana. Chad Tasky is a San Francisco based photographer and filmmaker. Chad was a drum tech for Santana for a time. Props to both photographers for being our inside image sources for Santana IV. Your respective photos are superb.