Today, February 21st, 2018 is the 50th anniversary of the release date of the classical Columbia Records recording, Child is the Father to the Man by Blood, Sweat & Tears.
It has always been one of my top listens. I love the flow of the album, beginning with the “Overture”, then continuing with original songs by Al Kooper and Steve Katz. The album always calls me in refreshing, haunting fashion.
I have a framed LP album cover signed by Al Kooper and Steve Katz. I recommend both of their music biographies. Al Kooper’s Backstage Passes & Backstabbing Bastards and Steve Katz’s Blood, Sweat and My Rock ‘N’ Roll Years. Each musician provides a unique perspective on the first B, S, & T recording session and what that time was like for them.
Child is Father to the Man is a pastiche that borrows styles from Greenwich Village contemporary folk to San Francisco acid rock and mixes them into a new American musical form. The songs, “Without Her” by Harry Nilsson and “Morning Glory” by Tim Buckley evidence those trends.
My personal favorite track changes from time to time. Right now it’s “Just One Smile” by Randy Newman a very early song in his repertoire.
Do yourself a favor, wake up to your mind and give a listen to one of rock’s real masterpieces, Child is Father to the Man on this 50th anniversary celebration day. The recording is still fresh and vibrant all these decades later.
Blood, Sweat & Tears
- Randy Brecker – trumpet, flugelhorn
- Bobby Colomby – drums, percussion; backing vocals (tracks 4, 10)
- Jim Fielder – bass guitar, fretless bass guitar
- Dick Halligan – trombone
- Steve Katz – guitars; lead vocals (tracks 3, 8); backing vocals (tracks 3); lute (track 6)
- Al Kooper – organ, piano; lead vocals (tracks 2, 4-7, 9-12); ondioline (track 8)
- Fred Lipsius – piano, alto saxophone
- Jerry Weiss – trumpet, flugelhorn; backing vocals (track 4)
I am usually leery of artist “bootleg” or non-official recordings. They typically lack the production results I want. My music collection is 99% official commercial music releases.
My niece gave me a wonderful Christmas gift surprise this year. The vinyl recording, “Santana Rynearson Stadium, Ypsilanti MI, 25-05-75”. I had never seen or heard of this live recording. I was happily stunned 🙂
Klondike Records has done Santana and the listener justice. This recording is based on a King Biscuit Flower Hour radio broadcast. It is Digital Remastered and pressed onto 180 Grade vinyl. It sounds great on my Audio Technica turntable.
Santana was the headline act that day with Special Guest Stars, Peter Frampton’s Camel, and Lynard Skynard.
I was on the line reviewing Jerry Garcia’s recordings when I uncovered a real gem, Cats Under The Stars, Jerry Garcia Band (April 1978). I realized I was familiar with the cover art by Stanley Mouse but not the music selections. So I gave it a listen.
This recording was Jerry Garcia’s fourth solo studio record and the first to be presented as the Jerry Garcia Band which included Garcia, John Kahn, Ron Tutt, Maria Muldaur, and Garcia’s Grateful Dead bandmates, Keith & Donna Godchaux.
The 2017 vinyl reissue features re-mastered audio by Fred Kevorkian with lacquers cut by Ron McMaster at Capitol Studios and pressed to 180gram marbled gold vinyl by Quality Record Pressings. The Marbled Gold vinyl is pressed in a limited edition of 5,000 pieces with individually numbered foil-stamped jackets.
“Cats Under the Stars is my favorite one. That’s the one that I’m happiest with, from every point of view in which I operate on that record.” – Jerry Garcia (1981 interview with David Gans and Blair Jackson)
1. Reuben and Cerise
2. Love In The Afternoon
3. Palm Sunday
4. Cats Under The Stars
5. Rhapsody In Red
7. Down Home
I discovered a journalism project that validates the joy vinyl music provides our listening experiences.
The coffee table book, Why Vinyl Matters is part history, part future forecasting, part nostalgia and all celebration. A collection of more than 25 interviews, all illustrated with photos, sidebars, quotes, album covers, outtakes and much more. This is the book for anyone who has ever gone to the store and bought music on vinyl.
The author of this enlightening research is Dr. Jennifer Otter Bickerdike. Dr. Bickerdike is a media and music academic, specializing in fandom, the cult of dead celebrity, pop culture, and music. She is the head of music journalism at The British and Irish Modern Music Institute.
I’m adding this “must own” vinyl book to my Birthday wish list 😉
Why Vinyl Matters is not just about waxing (HA!) nostalgic about the format; it is about the special and unique way that records bring us together in unexpected and magical ways.”—Jennifer Otter Bickerdike
Albumism is one of several new music Web sites to catch my attention. I discovered them, as a result, of a Follow on Twitter.
Albumism™ is an editorially independent music website dedicated to honoring the album as a vital art form, while connecting with the global community of passionate music fans to celebrate our love affairs with albums past, present and future.
Founded in 2016 and headquartered in Brooklyn, NY, they offer feature articles, tributes, reviews, interviews, news, playlists, streams, and videos, among other forms of content, and always welcome comments, contributions and ideas from our fellow music enthusiasts.
If you are an album fan you are sure to be impressed with their passion and dedication to the album art form and the music it provides our souls.
My favorite article thus far is, “100 Most Dynamic Debut Albums Ever Made“. There is a lot to listen to and appreciate on this Web page. I have been listening to many of these albums on Apple Music and Sonos this past week. Add to your knowledge by looking, clicking and listening to these truly fine works.
Today’s spin is Patti Smith | Horses, Live At Electric Lady Studios. The first vinyl recording released on the Electric Lady Records label on Record Store Day 2016.
Electric Lady Studios is where Patti Smith recorded Horses in 1975. Full circle.