The passing of Nat Hentoff on January 7th left a discernible void in music and free speech. I have been richly educated by his writing for many decades. The NY Times published an article about his life that I encourage you to read, Nat Hentoff, Journalist and Social Commentator, Dies at 91.
What struck me was this photograph of him at his craft. Notice the use of the typewriter in Nat Hentoff’s Greenwich Village apartment/office. I will make it a point to rent the David L. Lewis documentary, The Pleasures of Being Out of Step and watch it in his honor.
I just know this will be my favorite book this year. Patti Smith’s M Train is due to be released on October 6th by Knopf.
The photo on the book’s jacket is a sacred memento for Patti Smith: It shows her at Cafe ‘Ino in Greenwich Village, where M Train begins, and where Smith went every morning for a breakfast of black coffee and brown bread. On the last day before Cafe ‘Ino closed, a passing photographer took the picture. Smith calls it “the first and last picture at my corner table in Ino… My portal to where.”
Soon I can have that cup of coffee with Patti in the Village I have dreamed about…
Have you ever been (have you ever been) to Electric Ladyland?
The magic carpet waits for you so don’t you be late
The answer to that question is finally a resounding Yes!
My wife and I were walking in Greenwich Village yesterday when we stumbled upon this music landmark. We were on West 8th Street conducting a walking tour coming from MacDougal Street after cutting across Washington Square Park.
We happened upon electric lady studios at 52 West 8th Street, the futuristic recording studio that was built for Jimi Hendrix. I noticed the lettering and the brown curtains as I excitedly pointed to my wife my discovery. We watched as an electric lady studios employee lifted up the locked grate and unlocked the front door. Try as I might I couldn’t get a view over the shoulder of the employee as he quickly closed and locked the door behind him.
This encouraged me to visualize as much information as I could regarding electric lady studios. I definitely felt the spirit of Jimi Hendrix yesterday 🙂
I especially love Patti Smith’s memories of Jimi Hendrix and electric lady studios where she has recorded four of her studio albums, Horses, Gone Again, Twelve, and Banga.
“I put on my straw hat and walked downtown, but when I got there, I couldn’t bring myself to go in,” recalls Patti Smith in her
award-winning memoir, Just Kids. “By chance, Jimi Hendrix came up the stairs and found me sitting there like some hick wallflower and grinned.
“He spent a little time with me on the stairs and told me his vision of what he wanted to do with the studio. He dreamed of amassing musicians from all over the world in Woodstock and they would sit in a field in a circle and play and play. It didn’t matter what key or tempo or what melody, they would keep on playing through their discordance until they found a common language. Eventually they would record this abstract universal language of music in his new studio.
‘The language of peace. You dig?’ I did.”
- The Electric Lady (kylepotter36.wordpress.com)
New York City’s 4th Street is at the heart of the Manhattan residential district Greenwich Village, where Dylan once lived. Dylan lived from early-1962 until late-1964 in a small $60-per-month studio apartment at 161 West Fourth StreetThis area was central to the burgeoning folk music scene of the early 1960s, which centered around Dylan and many other influential singer-songwriters. For example, Gerde’s Folk City was originally located at 11 West 4th Street.
Bringing It All Back Home (Pantheon/Random House, 1986) by Robbie Woliver documents Folk City’s history and went into a second printing as Hoot (St. Martins Press, 1994).
David Hajdu took the title of the song for his 2002 book, Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina.
- Greenwich Village: Music That Defined a Generation (musicofourheart.me)
- Singers Celebrate Bob Dylan’s Music at Dylan Fest Benefit (rollingstone.com)
- “Positively 4th Street” | Bob Dylan, 1965 (voicespart2.wordpress.com)
I increase my knowledge of American folk music as time leads up to the release date of the Coen Brother’s film, Inside Llewyn Davis on December 6, 2013.
I noticed that WPKN is hosting a two-day American & Folk Music Special fundraiser. (Tue. 11/12 & Wed. 11/13) WPKN is a 100% non-commercial, listener supported radio station broadcasting at 89.5 FM in Bridgeport, Connecticut and formerly 88.7 FM (WPKM) in Montauk, New York. You can also hear WPKN via the Internet at WPKN.ORG or through their WPKN Live iPhone & iPad App available for free from the iTunes App Store.
The synergy between the WPKN fundraiser and the blog posts the past few days on The Music of Our Heart is that one of the musical premiums for a $120 pledge includes 1) Dave Van Ronk‘s Down in Washington Square: The Smithsonian Folkways Collection 3 CD Box Set, 2) Inside Llewyn Davis Original Soundtrack Recording, and 3) the DVD documentary Greenwich Village: Music That Defined a Generation
We continue with the theme of Greenwich Village, Folk Music, the 60’s, Suze Rotolo, Bob Dylan, and Dave Van Ronk.
Tomorrow, November 12th is the release date for the documentary, Greenwich Village: Music That Defined a Generation, Directed by Laura Archibald.
In April of 1961, more than 500 musicians gathered in Greenwich Village’s Washington Square to sing folk songs to promote peace and harmony. The result was what would become a symbol of these tumultuous times, police riot squads attacking singers and civilians with billy clubs, arrests and lines drawn in the sand.
The clash became known as the Washington Square Folk Riot and put down in the history books as the first ‘freedom of speech’ revolt, and only strengthened the drawing power of Greenwich Village as the place of change for a generation.
The movie’s structural binding ingredient is the voice of Susan Sarandon reading excerpts from “A Freewheelin’ Time: A Memoir of Greenwich Village,” a 2008 recollection by Mr. Dylan’s onetime girlfriend Suze Rotolo, who met him in 1961, when she was 17 and he was 20. (Movie Review, When They Hammered Out Justice in the ’60s ‘Greenwich Village: Music That Defined a Generation’ by Stephen Holden, NY Times, January 17, 2013)
- Freewheelin on Jones Street in Greenwich Village (musicofourheart.me)