Our 50 Year Journey with Livingston Taylor

I was chuffed to find out that our warm friend Livingston Taylor is celebrating 50 years as a musician, performer, and educator. Tomorrow, Wednesday, January 18th, will officially be declared “Livingston Taylor Day” by both Boston Mayor Marty Walsh and Massachusetts Governor Charlie Baker. It gave me pause as I reflected on what Livingston Taylor has meant to our lives.

My wife and I have been dedicated fans of Liv’s music for 47 years. We have been blessed by Livingston’s charm and wit 10 times in concert.

I recall the first concert at The Capitol Theatre in Port Chester, NY, in July of 1970. Livingston Taylor was the opening act for Jethro Tull and unknown musician to us but he melted our hearts quickly. He sat directly on a stool in front of us playing acoustic guitar. We became enthralled as Liv sang, “Carolina Day”. We hunted down his first vinyl LP the next day and played it often during our dating years.

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The next concert was three years later, in December 1973 at the University of New Haven. I made arrangements with his manager Don Law to interview Livingston before the concert. I was forced to conduct the interview with a fellow WNHU-FM air personality. I warned this person NOT to mention James Taylor during the interview. I had been warned it infuriated Livingston Taylor to be asked or compared to his brother. That person swore to me he would not do that.

We get to the locker room before the show and Randy Newman, Liv’s opening act is pacing the floor and frequenting the restroom.  He stood off to the side as we interviewed Livingston Taylor. Don’t you know the idiot I am doing the interview with asks Livingston, “So what’s it like to have a famous brother like James? Livingston looks at him and then me and says, “Sorry, interview is over.” I pushed the saboteur off the locker bench, telling him, “Thanks for screwing this up for the station.” Randy Newman then said, “Hey guy, you really blew it for your buddy there.”

Many years later I had a good laugh with Livingston recalling that moment with him at The Towne Crier Cafe in Pawling, NY. We saw him perform there four times, once with his sister Kate Taylor. Livingston was always cordial after the show, willing to sign his CDs and chat with us. We would get seats right next to the stage and order dinner/desert. Livingston would come out of the kitchen, ascend the stage and ask us, “How was the desert? They have the best deserts at The Towne Crier.”

Note: Livingston Taylor will be performing the debut of his new album, Safe Home at the Towne Crier Cafe which is now located in Beacon, N.Y., on Saturday, Jan. 21.

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His signed book Stage Performance has proven invaluable to me as an educator. It has helped me refine how I connnect with my students. I have a peer in music and education with Liv giving me solace 🙂

So that has been our cherished 50-year journey with Livingston Taylor. We’re looking forward to seeing him receive his honors in Boston tomorrow. We won’t be there in person but we will be attending in the music of our hearts.

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Mama Told Me Not To Come, Etc. ;)

I was thinking about what to write for today’s music blog post when the song, “Mama Told Me Not To Come” sung by Three Dog Night and written by Randy Newman started playing on the turntable in my mind.

“Mama Told Me Not To Come”, I was surprised to learn was originally written by Randy Newman for Eric Burdon and the Animals in 1966. It was released on the album, Eric Is Here, by Eric Burdon and Animals on MGM in 1967.

From 1969-1974, nobody had more Top 10 hits, moved more records, or sold more concert tickets than Three Dog Night!

Three Dog NightWhen I was first dating my wife Rosemary, Three Dog Night was OUR band. I purchased every vinyl LP they recorded. Our song was “One”, their first Top 5 hit in 1969. “One” was written by Harry Nilsson. I learned from Wikipedia that the reason Harry Nilsson wrote the song after calling someone and getting a busy signal. He stayed on the line listening to the “beep, beep, beep, beep…” tone, writing the song. The busy signal became the opening notes of his version of the song.

I have an interesting personal story to tell you about Randy Newman and Livingston Taylor that happened to me in 1973. I was attending the University of New Haven in West Haven, Ct. in those days. I had made arrangements as a DJ on WNHU-FM to interview Livingston Taylor before the concert. I was asked to conduct the interview with another on-air personality. I warned this person NOT to mention James Taylor during the interview because I had read it infuriated Livingston Taylor to hear those comparisons. That person swore to me he would not do so.

So we get to the locker room and Randy Newman is such a nervous Nellie before the show. He paced that locker room like you wouldn’t believe. He stood off to the side as we interviewed Livingston Taylor. Randy Newman was actually the opening act for Livingston Taylor that night. Don’t you know the asshole I am doing the interview with asks Livingston, “So what’s it like to have a famous brother like James? Livingston looks at him and then me and says, “Sorry, interview is over.” I pushed that stupid idiot DJ off the bench, telling him, “Thanks for screwing this up for the station.” Randy Newman said, “Hey guy, you really blew it for your buddy there.” That was how I met Randy Newman. I recall he played “Mama Told Me Not To Come” that night on a beautiful white Steinway piano.

I mentioned this story years later to Livingston Taylor (who we have seen perform and spoken with many times) and we had a big laugh over that memory.

Capitol Theater in Portchester, NY Plans Triumphant 2012 Return, Part I

The concert venue that started me on my journey to attend live music events for 42 years is the Capitol Theater in Portchester, NY. It was a haven of great music in the early 1970s. I attended 12 concerts there from 1970 through 1974. I am elated to learn The Capitol Theater will resume its preeminent role as a concert venue in our market in 2012.

The New York Times music section featured an informative article yesterday about The Capitol Theater titled, “Live Music to Return to a Storied Theater” by C.J. Hughes. (See Related articles link below).

The gist of the article is that Peter Shapiro who owns the Brooklyn Bowl plans to produce 100 performances a year there. The Capitol will undergo a two million dollar, four-month renovation project. This could translate into a late spring/early summer grand re-opening. Peter Shapiro is also the publisher of Relix magazine, which provides excellent coverage of the jam band scene.

I’ve never been to the Brooklyn Bowl but my son has and he really likes the venue. I am a long time reader of Relix. The magazine does a fine job of covering the alternative and rock music scene. Peter Shapiro is very well-connected in the music industry and this bodes well for us concert goers. The addition of The Capitol to the New York/Connecticut market sharpens the competition for the concert dollar. I think this may cause a couple of existing promoters to be more price competitive now.

The proximity of The Capitol Theater in Portchester, NY was beneficial for Fairfield County Connecticut residents. The lower drinking age of 18 just across the state line made it additionally attractive to go to shows there. Portchester was more adjacent than The Fillmore East in the East Village of New York City. I find it amazing that Howard Stein was able to book so many premium top rock acts at The Capitol in lieu of New York City and Bill Graham’s organization. Its going to get interesting with Connecticut having so many venues in 2011, such as the casinos, The Ridgefield Playhouse, The Klein and The Fairfield Theatre and Infinity Hall. My concert dance card will be full later on in the 2012 season. 🙂

The NY Times Capitol Theater article motivated me to finally write my reflective Capitol Theater music blog post. In order to do the topic justice I will write The Capitol Theater blog post in two parts. As as faithful progressive music listener I had heard The Capitol Theater radio advertisements on WNEW-FM 102.7. My second concert at The Capitol was Traffic, Silver Metre and Swallow on June 27, 1970. We attended the 8 p.m. early show. I was fortunate to be able to buy tickets in those days at a local head shop in Norwalk, Ct. The shop owner always offered us seventh row center seating.

The English Rock Groups at The Capitol Theater

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Traffic and Jethro Tull were my favorite two bands in 1970. I recall that Steve Winwood wore a long sleeve white shirt that was covered in silver stars. It was a shirt I would later buy at that same head shop and wear the next time we saw Traffic, much to Steve Winwood’s chagrin. Traffic consisted of Steve Winwood on Hammond B3 organ, guitar and vocals, Chris Wood on saxophone and flute and Jim Capaldi drums and vocals.

Notice on the bootleg cover that Steve Winwood is wearing the shirt I mentioned in the picture from that night. The two songs I remember the most from Traffic’s set were “40,000 Headmen” with Chris Wood playing the flute and “Pearly Queen”, which featured Steve Winwood performing a riveting guitar solo.

Our third concert was Jethro Tull, McKendree Spring and Livingston Taylor which again was an early show. Jethro Tull featured their third album Benefit that night. It was my second time seeing Jethro Tull (the first time was at The Fillmore East in July of 1969). It was our first Livingston Taylor concert. Little did we realize we would see Liv nine more times in later years. We bought his first record on Capricorn Records the following day as we fell in love with his music and charming wit.

I am going to go out of chronological order here to collect the acts we saw at The Capitol Theater under the proper headings. We saw Traffic again on Halloween night, 10/31/70.  By then Traffic was increasing strongly in popularity due to FM airplay and the chart success of John Barleycorn Must Die. We noticed that the audience was more enthusiastic the second time we saw Traffic. It felt like a band I had treasured for my listening pleasure was beginning to move out of my reach. But isn’t that the way its supposed to work in music industry circles.

We experienced this again six months later with Jethro Tull on 4/27/71 at the late show. Aqualung was receiving lots of accolades from the music critics and was getting heavy airplay on FM stations like WNEW-FM and WPLJ-FM out of New York City. My request to interview Ian Anderson and the band for our local college radio station was turned down the day of the concert by their publicist. She felt we were too small a radio station and market for the fast rising Jethro Tull. The audience was ravenous for Tull that night and I could feel the band being swept along by the success of Aqualung. Having been a loyal fan of Jethro Tull for three years I should have been psyched for their greater acceptance instead of feeling like others were tearing them away from our midst.

It proved monumental that The Capitol Theater served as the launchpad for the fueling rocket success of Traffic and Jethro Tull in America.

Part II of my music blog about The Capitol Theater early concert years will be posted tomorrow. It will cover the San Francisco era with such bands as Santana, The Grateful Dead, New Riders of the Purple Sage, Jefferson Airplane, Hot Tuna and Big Brother and the Holding Company.