Marking a significant moment for the multimedia artist and forefather of alternative rock, Michael Stipe will release a never-before-seen installation at Moogfest 2017. The installation will be a compilation of video footage he has shot over the years in New York City that explores desire and movement. Using Moog gear, Stipe will score the piece, marking his first solo composition ever. The installation will run continuously throughout the festival.
Stipe became involved thanks to festival’s exec producer Kai Riedl, a former member of experi-post-rock band Macha. It’s thanks to the Athens, Georgia connection, that Riedl and Stipe have been friends for 20-odd years.
“Over the last decade, Michael has expanded his futurist leaning and artistic output through various projects, many of these with imagery and film he’s shot himself,” says Riedl of Stipe’s involvement. “During this time, largely as a member of R.E.M., he has also worked often with Moog synths. This installation presents a unique opportunity to wed these two worlds in a multimedia experience and to expand on his explorations as a solo artist. Stipe has always had a futurist yet Southern leaning style and has had a rich history of creating in the South, so having Moogfest in the region of his hometown of Athens made it all the more appealing. In addition, Stipe has always been a voice for equality, new creative possibilities and futurist ideals—many of the same pillars of Moogfest.”
Here is a NY Times interview from last year that serves as a prediction to Michael Stipe’s return to live performance. He has joined his good friend, Patti Smith at several of her concerts including her birthday celebration on 12/30/16 at the Riviera Theatre in Chicago.
It’s rejuvenating to have R.E.M. back in the spotlight with media press events, interviews etc. They are working to promote the 25th Anniversary deluxe reissue of their break through Out of Time recording. The video segment Michael Stipe conducted with Willie Geist NBC’s Sunday:TODAY was instrumental in understanding how Michael Stipe visualizes the captivating lyrics he has created to the songs he illustrates.
“I don’t hear music I see it. My job as a lyricist is to close my eyes and hear the peaks and the valleys, see the landscapes the vista that the band has created sonically. I then have to create a story.” Micheal Stipe does this better than any lyricist I have heard in my lifetime.
I am jazzed Michael wants to work in music again. He is starting by producing “SIR” an album by the electroclash group, Fischerspooner.
I was watching the Tonight Show Starring Jimmy Fallon when I heard Jimmy mention that Michael Stipe would be performing a tribute to David Bowie. I did everything in my power to stay awake for Michael’s performance. I had been missing his soulful voice. I wasn’t disappointed.
It was a great teaser for the The Music of David Bowie tribute concert which sold out in minutes at Carnegie Hall on Thursday March 31st and Friday April 1st. The Friday night concert will be streamed for a suggested donation of $20. Donations benefit various NY City music education programs. A cause near and dear to the music of our heart 🙂
Here is Michael Stipe’s segment. I love how it is just Micheal invoking Bowie set against a solo pianist. Striking. Welcome back, Michael. It’s wonderful to hear you singing from your heart once more.
I don’t get HBO on my Optimum Cablevision system. I was thankful that Rolling Stone Magazine posted information that the full HBO Nirvana Rock and Roll Hall of Fame 2014 induction ceremony was available on YouTube.
If you love Grunge Rock and emotionally inspirational live music performances you should watch the 38:39 YouTube HD video segment. It also includes the three-minute video intro, featuring archival commentary from Kurt Cobain and reflective asides from drummer Dave Grohl and bassist Krist Novoselic.
“It is the highest calling for an artist, as well as the greatest possible privilege, to capture a moment, to find the zeitgeist, to expose our struggles, our aspirations, our desires, to embrace and define their time,” he says. “That is my definition of an artist. Nirvana captured lightning in a bottle. – Micheal Stipe, R.E.M. Induction Speech”
There are four wide-ranging performances, with Grohl, Novoselic and guitarist Pat Smear joined by four female rock icons. Joan Jett helps out with a seering “Smells Like Teen Spirit”; Sonic Youth vocalist-bassist Kim Gordon adds abrasive wails to “Aneurysm”; St. Vincent’s Annie Clark helps out with “Lithium” and Lorde assist on “All Apologies.”
Read more: http://www.rollingstone.com/music/news/watch-the-full-nirvana-hall-of-fame-induction-20140602#ixzz33j2cP9P0
Follow us: @rollingstone on Twitter | RollingStone on Facebook
I have read a great deal about last night’s Rock and Roll Hall of Fame 2014 Induction. Thanks to the eye of the camera lens which captured two wonderful “emotional” moments that took place for Nirvana. How could the music of our heart not be consoled and glad for all.
I am eager to see the HBO broadcast of the 2104 Rock and Roll Hall of Fame Induction Ceremony on May 31, 2014 at 9 p.m. EST.
1) Kurt Cobain‘s Mother
“I’m probably going to cry. I’m already crying because he’d be so proud. He’d say he wasn’t, but he would be. I just miss him so much. He was such an angel,” said Kurt Cobain’s mother, Wendy O’Connor, after Nirvana was inducted. Cobain was 27 when he died.
2) “The” Healing Hug
Many Nirvana fans were probably holding their breath last night when Courtney Love walked up to the podium. She’s done little to mask her feelings about Dave Grohl over the years and one never know what she’ll say in front of an open microphone. But Courtney seemed overwhelmed by the moment — particularly after watching Kurt Cobain’s mother cry — and she completely abandoned a long speech she prepared and used the time to pay tribute to her Nirvana “family,” speaking for no more than a minute. When she got to “Mr. Grohl,” she teared up, walked over and gave him an enormous bear hug. It was one of the emotional high points of an extremely emotional night, and a very classy move for Courtney.
Read more: http://www.rollingstone.com/music/pictures/20-best-moments-at-the-rock-and-roll-hall-of-fame-2014-induction-20140411/best-shocker-courtney-love-hugging-dave-grohl-0998494#ixzz2yjPTAHN9
Record Store Day 2013 is two weeks from today, Saturday April 20th. I still haven’t figured out where I will be shopping on that day. But I’m working on it 😉
I purchased the book, Record Store Days, written by Gary Calamar and Phil Gallo to celebrate the upcoming semi-annual treasure hunt. The book underlines a major passion of mine, it’s written by record collector enthusiasts for vinyl lovers everywhere. The book tells the story of the development of record stores which has become a threatened species.
Peter Buck of R.E.M. fame wrote the foreword where he shares with us his history of working at record stores. He met Michael Stipe while working at Wuxtry Records in Athen, Georgia and they each discovered they were looking to form a band. His favorite record stores are in Seattle, Washington, most notably Easy Street Records which I have yet to frequent but plan to next time we visit Seattle. May that be soon 🙂
The book is a delightful read. We learn about the origin of record stores and the brave owners who built them. Its well illustrated with 150 photographs of record stores, owners, consumers, and artists.
There is text dedicated to Russ Solomon and Tower Records. I made a special point of visiting Tower Records on Sunset Strip, Hollywood, California in 1978. I was managing the record department at Caldors a discount department store chain in Stamford, Ct. in those days.
Ameoba Music is also featured in the book. I went to Ameoba Music in Hollywood on my birthday a couple of years back .It’s the world’s largest independent music store I found it a cavernous store with a sea of product to choose from and I loved being overwhelmed like that as a music collector.
There is a chapter dedicated to in-store appearances which I get to on occasion. I saw Los Lobos perform an in-store at Tower Records in the Village when The Ride was released in 2004. They performed on the street level of the store that day and then did a signing on the second floor walk up. I always find Los Lobos to be very accommodating to their fans.
All in all this is a cool, fun book that I plan to finish before Record Store Day 2013 😉