Thank you CBS Sunday Morning for bringing this music learning and its benefits to everyone’s attention.
Be the agent of change as we all have many rivers to cross.
Ever since my college music days some 40+ years ago I have been enamored with musique electronique. Like many musicologists I consider French-born composer, Edgard Varese the Father of Electronic Music. Frank Zappa, Varese’s protegé characterized him best, “The present day composer refuses to die.”
If you study the six degrees of separation between musique electronique, Varese, and Zappa you will juxtapose the French composer Eric Mouquet, founder of the pioneering electro-ethno-ambient band, Deep Forest.
There is peace to experience in the journey through the light and trees in the deep forests of our world. Eric Mouquet navigates those experiences in his travels, treating our senses to those natural settings.
The latest Deep Forest recording, evo devo is an earthly treasure. Mouquet revisits the sounds he and Michel Sanchez first recorded on Deep Forest in 1992 (now out of print). Those are some of the most amazing sonic textures I have ever absorbed. The remixes of some of those original tracks on this album made me smile to hear them once more.
Deep Forest recently held a Pledge Music project which I missed, but I was able to order an autographed copy of evo devo, from the Web page today.
Allow yourself to experience Deep Forest, connecting your spirit with the nature and our world.
I find myself, yet again, happily transported by the art and symbolism of Patti Smith and her talented daughter, Jessie Parris Smith along with the collaborative known as Soundwalk Collective. They give us pause to show how fragile life is in this garden universe.
Killer Road is a sound exploration of the tragic death of Nico, Velvet Underground vocalist and 60s icon, while riding her bike on the island of Ibiza in the summer of 1988. A hypnotic meditation on the idea of perpetual motion and the cycle of life and death, the composition features Patti Smith lending her unique voice to the last poems written by the artist. Soundwalk Collective uses a travel log of field recordings and samples of Nico’s signature instrument, the harmonium, to create a magnetic sound scape.
Killer Road is an ambient sound scape and spoken word tribute to Nico, eight interpretations of her lyrics, predominantly taken from classic albums such as Desertshore and Drama of Exile, arranged by fellow poet and kindred spirit Patti Smith. Originally executed as a live performance piece with Jesse Paris Smith and Soundwalk Collective, Killer Road sees the light of day in album format for the first time in stores, next week, September 2, 2016.
I ordered the limited edition online as a collector, ***Limited Edition Version: Edition of 300 hand-numbered copies, comes with alternate screen-printed wrap around sleeve, wax sealed, and available by mail-order only. ONE PER PERSON LIMIT.***
Directed by Stephan Crasneanscki
Produced by Soundwalk Collective for Bella Union & Sacred Bones Records
Video by Tina Frank
1. “Heartaches by the Number” (featuring the Time Jumpers)
2. “I’ll Be There (If You Ever Want Me)” (featuring the Time Jumpers)
3. “Faded Love”
4. “It Always Will Be”
5. “City Lights” (featuring the Time Jumpers)
6. “Don’t You Ever Get Tired of Hurting Me” (featuring the Time Jumpers)
8. “I’m Still Not Over You”
9. “Night Life”
10. “Crazy Arms” (featuring the Time Jumpers)
11. “Invitation to the Blues” (featuring the Time Jumpers)
12. “For the Good Times”
Can’t wait to get lost in the sounds and textures of Toto tonight!
Leland Sklar on bass! You betcha.
It has been ages since we have frequented the Downtown Cabaret Theatre in Bridgeport, CT. We’ve always liked the ambiance of this venue. You can BYOB with an intimate setting that seats just 209 people.
We saw the production, Forever Motown, earlier this evening. This is the music near and dear to the music of our heart. We grew up on listening to the sound of Motown on transistor radios and phonograph players in the 60s and the 70s.
The cast was versatile, four male vocalists and three female vocalists, backed by a piano player, guitarist, bassist, and a keyboard/saxophonist.
The tapestry of soul music was performed by a cast of veteran entertainers, including former members of The Jones, Main Ingredient, The Temptations, The Spinners & The Marvelettes, peppered with Broadway savvy performers who had leading roles in “Dream Girls”, ” Your Arms Too Short to Box With God”, “Porgy & Bess” and “Showboat”.
The iconic Motown Sound was recreated down to the slightest vocal and musical nuance by such American icons as Marvin Gaye & Tammi Terrell, Smokey Robinson & The Miracles, Gladys Knight & The Pips, The Temptations, The Four Tops, The Supremes, Stevie Wonder, Martha Reeves and the Vandellas, Lionel Richie, Mary Wells & the entire Motown roster of stars.
It was a wonderful show with the performers giving their all. They ended with The Temptations medley and inviting us up to dance to The Jackson Five, “Shake Your Body (Down To The Ground).
Historic Debut Concert, Band of Gypsys to Be Released In Entirety For First Time Ever
August 9, 2016- New York, NY- Experience Hendrix L.L.C. and Legacy Recordings, the catalog division of Sony Music Entertainment, are releasing Machine Gun: The Fillmore East First Show 12/31/69, fully documenting the debut performance of Jimi Hendrix’s short-lived but eternally influential Band of Gypsys on September 30. The group played four historic concerts at the Fillmore East in New York City – two on New Year’s Eve 1969, and two on New Year’s Day 1970. Never before has the first of these sets been available in its entirety. The vast majority of the performances have never seen the light of day in any configuration.
Machine Gun: The Fillmore East First Show 12/31/69 was produced by Janie Hendrix, Eddie Kramer and John McDermott, the same team who have overseen all of Jimi Hendrix’s audio and audio visual releases by Experience Hendrix L.L.C. since 1995. Kramer served Jimi Hendrix as his primary recording engineer throughout his lifetime and the newly mixed Machine Gun: The Fillmore East First Show 12/31/69 from the original 1” 8 track master tapes. The album was mastered by Grammy Award winner Bernie Grundman and will be simultaneously released, on CD, 2 LP 180 gram vinyl, high resolution SACD and digitally. Machine Gun: The Fillmore East First Show 12/31/69 is available for pre-order on CD: http://smarturl.it/jh_mg_cd and Vinyl: http://smarturl.it/jh_mg_vinyl
Machine Gun: The Fillmore East First Show 12/31/69 marks the first ever Jimi Hendrix SACD and high resolution digital release. Additionally, Experience Hendrix is also releasing People, Hell & Angels on the same day. People, Hell & Angels, a collection of previously unreleased studio recordings, peaked at #2 on Billboard’s Top 200 Album chart in March 2013. The album features studio versions of many of the songs featured on Machine Gun: The Fillmore East First Show 12/31/69.
Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career which boasted of indefinite possibilities.
The revolutionary impact Jimi Hendrix, Billy Cox, and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two evenings on New Year’s Eve and New Year’s Day. These performances were first celebrated by Band Of Gypsys, which featured six songs from the two January 1, 1970 concerts including “Machine Gun,” the album’s dramatic centerpiece. Issued in April 1970, Band Of Gypsys challenged and surprised the guitarist’s wide following with its extended arrangements and vibrant mix of rock and soul. Nonetheless, the album proved to be a runaway commercial success and sadly, with his death in London in September 1970, would become the last album Jimi Hendrix personally authorized for release.
Machine Gun: The Fillmore East First Show 12/31/69 documents the first of the group’s four legendary Fillmore East concerts. This set presents an assortment of fresh, exciting new songs such as “Earth Blues,” “Ezy Ryder,” “Stepping Stone,” “Burning Desire,” and “Machine Gun”—none of which had ever before been issued on disc. Moreover, nearly all of the group’s material had never been performed before an audience. “We decided that we couldn’t do any songs that had already been released,” explains Billy Cox. “We wanted to give them something different. So we went at the project in a joyous, creative posture and ultimately developed the repertoire of the Band of Gypsys.”
While promoter Bill Graham had advertised the concerts as ‘Jimi Hendrix: A Band Of Gypsys’, few could have anticipated what Hendrix had in store. “We had two shows New Years Eve and two shows New Years Day,” remembered Cox. “We didn’t know what to expect from the audience and the audience didn’t know what to expect from us, but from the time we hit that first note, they were in awe. You had Jimi Hendrix, a drummer who had been with the Electric Flag and Wilson Pickett, and I was the new kid on the block.”
With the anticipation of the sold out Fillmore audience heightened to fever pitch, Hendrix led his trio through a scintillating, seventy-five minute opening performance. None of the eleven songs presented had yet to grace an Experience album. In the place of signature songs like “Purple Haze” and “All Along The Watchtower” were confident renditions of “Power Of Soul” and “Hear My Train A Comin.’”
Jimi generously extended center stage to Buddy Miles, providing a showcase for “Changes” and a charged rendition of the Howard Tate R&B hit “Stop”. “We had rehearsed “Changes” and a few others for Buddy,” explains Cox. “All of the songs we performed had been rehearsed. We didn’t look at it as Buddy’s part of the show. We were all there to give. We were all there to help and material went on whether it was written by Jimi or not. Former Rolling Stone senior editor David Fricke, who authored this collection’s liner notes, describes “Stop” as being something akin to “a psychedelic power-trio Temptations.” Hendrix’s scalding version of Elmore James’ “Bleeding Heart” is the set’s only other cover, underscoring the new band’s emphasis on the blues.
As the Fillmore audience roared with approval, the Band Of Gypsys left the stage confident that they had validated Jimi’s new music before his loyal followers. “After the gigs were finished, Jimi was quite relieved,” remembers Cox. “We felt the concerts went well. I might add that in previous gigs with the Experience he had used a fuzz face [tone control pedal] and a Wah-Wah pedal, then at Woodstock he used a fuzz face, Wah-Wah pedal and Uni-Vibe, but at the Fillmore East he used a fuzz face, Wah-Wah pedal, Uni-Vibe and Octavia and it was incredible. In fact you could hear all of it kicking in on ‘Machine Gun.’ It was incredible. There were people in the audience with their mouths open.”
“Machine Gun” stands as one of Hendrix’s finest and most influential compositions. Hendrix pushed Delta blues into places its pioneers could not have imagined, fusing his extraordinary instrumental skills within his passionate expression of man’s inhumanity to his fellow man. “Machine Gun” endures as a classic amongst the already classic-drenched Jimi Hendrix canon. Fricke notes of this version, the first that Hendrix and company had ever played in concert, “..Here it is, after 46 years, another revelation – a stunning essay in pain, rage and determined survival, fully formed in its initial outing.”
Long sought after by the guitarist’s worldwide following, Machine Gun: The Fillmore East First Show 12/31/69 presents the complete performance in its original sequence.
Jimi Hendrix – Machine Gun: The Fillmore East First Show 12/31/69 (release date: September 30)
1) Power Of Soul
2] Lover Man
3) Hear My Train A Comin’
6) Machine Gun
8) Ezy Ryder
9) Bleeding Heart
10) Earth Blues
11) Burning Desire
The Nantucket Historical Association (NHA) is pleased to welcome special guests Paul Winter and Dr. Roger Payne for a legendary one-night concert on Wednesday, August 31, 2016 at 7 P.M. at the Whaling Museum, 13 Broad Street.
Paul Winter is a saxophonist and composer, and seven-time Grammy winner. Dr. Roger Payne is the biologist famous for the discovery of humpback whale songs in the 1960s, and an environmentalist who has played a major role in the worldwide campaign to end commercial whaling. The two have collaborated for decades in creating music inspired by the whales, interweaving these extraordinary voices into the fabric of the music.
This special “Whales Alive” concert features music based on themes from the songs of the whales, interwoven with the whales’ voices. It will include the finale from the Winter/Payne album Whales Alive, featuring Payne’s poem “The Voyage Home,” narrated by Leonard Nimoy. Dr. Payne will tell of his adventures recording whales since the mid-20th century, and also speak about the ongoing challenges whales still face, as well as pollution in the world’s oceans.
“In the past, whales were valued as a commercial product on Nantucket,” says Paul Winter. “It will be a privilege to come here now and celebrate the beauty of living whales and their iconic voices in the present day.”
As described by Winter and Payne in the “Whales Alive” album liner notes, “Whale songs, in this short while since they have come into our culture, have touched the hearts of a human audience so large that whale-watching is now a bigger business than whale-killing. We have come to value their living beauty more than their dead bodies. They have helped us mature, and to acquire humility, as our consciousness has grown from “Save the Whales” to “Saved by the Whale.” ‘Whales Alive’ is a celebration of optimism, and our song of gratitude to whales for the beauty and wisdom they have brought into our lives.”
Paul Winter’s musical odyssey has long embraced the traditions of the world’s cultures, as well as the wildlife voices of what he refers to as “the greater symphony of the Earth.” From the early days of his college jazz sextet, which toured Latin America for the State Department and performed the first-ever jazz concert at the White House for the Kennedys in 1962, to his later ensemble, the Paul Winter Consort, his concert tours and recording expeditions have taken him to 52 countries and to wilderness areas on six continents, where he has traveled on rafts, dog sleds, mules, kayaks, tug-boats and Land Rovers.
Winter has recorded 45 albums, of which 7 have been honored with Grammy® Awards. Since 1980, Paul and his Consort have been artists-in-residence at New York’s Cathedral of St. John the Divine, where they have presented over 200 unique events, including their famed annual Winter Solstice and Summer Solstice Celebrations. Paul’s current project is “Flyways: A Celebration of the Great Bird Migration from Africa through the Middle East to Eurasia” which will incorporate indigenous music of each of the sixteen countries over which the birds fly, interwoven with the voices of the birds.
Dr. Roger Payne is best known for his studies of whales in the wild. He has an AB from Harvard and a Ph.D. from Cornell. He is best known for his co-discovery (with Scott McVay) that humpback whales actually sing songs. His 1971 article in National Geographic magazine included a playable recording of whale songs.
Payne has led over 100 expeditions to all oceans and studied every species of large whale in the wild. He pioneered many of the benign research techniques now used throughout the world to study free-swimming whales, and he has trained many of the current leaders in whale research, both in the US and abroad. Payne has lectured at most major U.K. and U.S. universities, and from 1971-1990 appeared on most major TV and radio talk shows, as well as being the subject of more than 40 television films. Payne was also featured in the 2015 Jane and Payne, exploring his friendship with Jane Goodall.
This concert is being presented with the generous support of the Hall-Froelich Foundation.
Admission to this incredible evening is only $10 per person for the performance, with limited $50 tickets available for the performance and a reception immediately following. All tickets are on sale now at www.nha.org/tickets.
Doors open at 6:30 P.M., with the concert beginning promptly at 7 P.M.