Elvin Bishop’s Big Fun Trio

Elvin Bishop’s music has been making people smile for over 50 years. A founding member of the groundbreaking Paul Butterfield Blues Band, he has performed and recorded with music legends such as B.B.King, John Lee Hooker, and the Allman Brothers. From deep down gutbucket Blues played in smoky South Side Chicago taverns, to raucous roadhouse R&B, he’s instilled all of his music with passion, creativity and a healthy helping of wisdom, wit and good humor!

Elvin Bishop

Purchase CD or online download here!

Elvin and his Big Fun Trio-mates (Willy Jordan on cajon and vocals, Bob Welsh on guitar and piano) serve up a fresh new helping of their good ‘n’ greasy blues and R&B, highlighted by the title track, a comic State of the Union address as only the blues and Southern Rock legend can deliver.  The album includes four additional new originals, Big Fun Trio takes on Elvin’s Right Now Is The Hour, Jackie Wilson’s (Your Love Keeps Lifting Me) Higher & Higher, Ann Peebles’ I Can’t Stand The Rain and more.  “Deceptively loose but always tight…the raspy chuckle in Bishop’s singing and the sharp sting of his guitar are forceful and fresh, enduring and fun.” Fresh Air, NPR 

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Haight Street Art Center – The Art of Consciousness

The Haight Street Art Center, with 7,000 square feet of gallery exhibition space, is one of the largest galleries devoted to poster art in the United States. The absolutely must visit poster print shop and gallery in San Francisco.

The inaugural exhibition, “The Art of Consciousness,” features more than 90 seminal works from 1965 to 1967. On display will be never-before-seen Family Dog original art from the “Big Five” of San Francisco rock poster art – Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, and Wes Wilson – whose vision inspired thousands of young people in San Francisco and provided the visual vocabulary for the vibrant community that formed in the Haight-Ashbury.

“It covers the evolution of poster art before the Summer of Love, from the Seed and Are We Next in 1965 through the psychedelic Avalon and Fillmore posters of the spring of 1967,” said Moonalice guitarist and poster philanthropist, Roger McNamee. “Check it out!”

The Art of Consciousness” runs through September. Entrance is free. Regular hours are 11 a.m. to 5 p.m. Monday through Sunday. 215 Haight St., San Francisco: https://haightstreetart.org

About Haight Street Art Center

The Haight Street Art Center (HSAC) is a 501(c)3 non-profit San Francisco arts collective established to promote poster art production and education. The Center’s community outreach relates to poster art history and cultural impact along with a deep commitment to extending San Francisco’s proud heritage of publicly accessible artwork—artwork created to celebrate, advocate, and connect people.

100 Best Selling Albums of the 70s – Hamish Champ

The 70s were an incredible period that produced many foundation music recordings. Hamish Champ has captured this explosive decade in a new book, 100 Best Selling Albums of the 70s.

I own 75% of the recordings listed in my collection. It was an exciting era where music sold in tonnage. Artists achieved multi-platinum sales (Platinum = 1 million albums sold). Arena rock became the new concert experience (the reason rock impresario Bill Graham closed his Fillmore East and West venues).

100 Best-selling Albums of the 70s

 

 

 

 

Paul Simon – In the Blue Light

The new album In The Blue Light shines fresh perspectives on 10 of Paul Simon’s favorite (though perhaps less-familiar) songs from his unparalleled body of work. Discover new insight and energy in compositions like “Can’t Run But,” “Darling Lorraine,” “One Man’s Ceiling Is Another Man’s Floor” and “Questions For The Angels,” revisited here by Simon and a talented cast of musicians, including jazz icons Wynton Marsalis, Bill Frisell, Steve Gadd and Jack DeJohnette, as well as New York-based modern chamber sextet yMusic, currently accompanying Simon and his band on Homeward Bound – The Farewell Tour.

“This album consists of songs that I thought were almost right, or were odd enough to be overlooked the first time around,” he said in a statement. “Re-doing arrangements, harmonic structures, and lyrics that didn’t make their meaning clear, giving me time to clarify in my head what I wanted to say, or realize what I was thinking and make it more easily understood.”

This will be Simon’s 14th solo studio album, following 2016’s Stranger to Stranger.

Produced by Paul Simon and Roy Halee, In The Blue Light is available everywhere on Friday, September 7.

Patti Smith Mural – East Village, NYC

A new Patti Smith mural is now on display in NYC, located directly outside Julie’s Vintage clothing shop in the East Village, at the corner of 2nd Street and 1st Avenue. The mural was designed and painted by graphic designer HUETEK (real name Eric Martinez), and depicts a bold, black-and-white portrait of Patti with the word “PUNK” emblazoned along the side. You can view Eric Martinez working on the mural via his Instagram account.

patti-smith-mural

Tom Petty, An American Treasure, Box Set

TO BE RELEASED SEPTEMBER 28 ON REPRISE RECORDS

A 4-CD set that features all 60 tracks and an 84-page hardbound book which includes many more photographs and an essay by renowned author Nicholas Dawidoff written especially for An American Treasure that speaks to Tom Petty’s presence in our lives and influence on our culture for more than 40 years.

This special package also includes custom reproductions of Tom Petty’s handwritten lyrics to four songs featured in this collection and a numbered certificate of authenticity.

All newly released recordings on An American Treasure have been mixed by Ryan Ulyate from pristine transfers of the original studio multitrack masters. All 60 recordings have been re-mastered for this collection by Chris Bellman at Bernie Grundman Mastering.

The custom cover artwork for An American Treasure was created by prominent American artist Shepard Fairey from an image of Petty by renowned photographer Mark Seliger.

Ken Burns, Country Music Series, PBS 2019

Ken Burns is the leading documentarian of American history and culture. The film catalog he and his team have produced in partnership with PBS is America’s cultural repository.

Ken Burns and company are working on Country Music, a series scheduled for PBS viewing in  2019.

Country Music will chronicle the history of a uniquely American art form, rising from the experiences of remarkable people in distinctive regions of our nation.  From southern Appalachia’s songs of struggle, heartbreak and faith to the rollicking western swing of Texas, from California honky tonks to Nashville’s Grand Ole Opry, we will follow the evolution of country music over the course of the twentieth century, as it eventually emerged to become America’s music.

It will be directed and produced by Ken Burns; written and produced by Dayton Duncan; and produced by Julie Dunfey—Emmy-award winning creators of PBS’s most-acclaimed and most-watched documentaries for more than a quarter century, including The Civil WarLewis & ClarkThe Journey of the Corps of DiscoveryThe National Parks: America’s Best IdeaThe Dust Bowl, and many more.

Country Music will be a sweeping, multi-episode series, exploring the questions, “What is country music?” “Where did it come from?” while focusing on the biographies of the fascinating characters who created it—from the Carter family, Jimmie Rodgers and Bob Wills, to Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton, Emmylou Harris, Garth Brooks and many more—as well as the times in which they lived.  And like the music itself, Country Musicwill tell unforgettable stories—stories of the hardships and joys shared by everyday people.

We will trace its origins in minstrel music, ballads, hymns, and the blues, and its early years when it was called hillbilly music played across the airwaves on radio station barn dances. We will see how Hollywood B movies instituted the fad of singing cowboys like Gene Autry and Roy Rogers, and watch how the rise of juke joints after World War II changed the musical style by bringing electric guitars and pedal steel guitars to the forefront.  We will follow the rise of bluegrass music with Bill Monroe and we will note how one of country music’s offspring—rockabilly—mutated into rock and roll in Memphis.  And we’ll see how Nashville slowly became not just the mecca of country music, but “Music City USA.” All the while, we will note the constant tug of war between the desire to make country music as mainstream as possible and the periodic reflexes to bring it back to its roots.

A tie-in collaboration event designed to celebrate the PBS première of Ken Burn’s Country Music is scheduled for the Jazz at Lincoln Center 2018-2019 Concert Series.

APR 25–27, 8PM • ROSE THEATER

WYNTON MARSALIS AND KEN BURNS: COUNTRY MUSIC

Iconic documentarian Ken Burns and the Jazz at Lincoln Center Orchestra with Wynton Marsalis explore the shared roots found throughout American music. With never-before-seen clips from Burns’ upcoming Country Music series, audiences will learn the fascinating and often intertwined histories of songs made famous by artists such as Ray Charles, Johnny Cash, Willie Nelson, Merle Haggard, Dolly Parton, and others. Then hear brand new arrangements of those songs written and performed by the JLCO.